{"id":980,"date":"2012-03-25T22:50:33","date_gmt":"2012-03-25T22:50:33","guid":{"rendered":"http:\/\/secretacres.com\/newsite\/?page_id=980"},"modified":"2023-02-23T16:03:39","modified_gmt":"2023-02-23T16:03:39","slug":"ken-dahl","status":"publish","type":"page","link":"http:\/\/secretacres.com\/?page_id=980","title":{"rendered":"Gabby Schulz"},"content":{"rendered":"<div style=\"width: 760px; padding-left: 100px; padding-right: 100px;\"><a href=\"#Bio\"><img loading=\"lazy\" width=\"38\" height=\"105\" class=\"alignnone size-full wp-image-1179\" title=\"Bio\" alt=\"\" src=\"http:\/\/secretacres.com\/newsite\/wp-content\/uploads\/2012\/03\/GS-Bio.gif\"><\/a><a href=\"#Reviews\"><img loading=\"lazy\" width=\"83\" height=\"105\" class=\"alignnone size-full wp-image-1180\" title=\"Reviews\" alt=\"\" src=\"http:\/\/secretacres.com\/newsite\/wp-content\/uploads\/2012\/03\/GS-Reviews.gif\"><\/a><a href=\"https:\/\/indiepubs.com\/collections\/vendors?q=Gabby%20Schulz&amp;contributorID=20959\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" width=\"71\" height=\"105\" class=\"alignnone size-full wp-image-1182\" style=\"border-style: initial; border-color: initial; border-image: initial; border-width: 0px;\" title=\"Store\" alt=\"\" src=\"http:\/\/secretacres.com\/newsite\/wp-content\/uploads\/2012\/03\/GS-Store.gif\"><\/a><a href=\"mailto:fantods@gmail.com\"><img class=\"alignnone size-full wp-image-1181\" title=\"Email\" alt=\"\" src=\"http:\/\/secretacres.com\/newsite\/wp-content\/uploads\/2014\/02\/GS-Contact.gif\"><\/a><br \/>\n<a name=\"Bio\"><\/a><img class=\"alignleft size-full wp-image-1177\" title=\"JB\" alt=\"\" src=\"http:\/\/secretacres.com\/newsite\/wp-content\/uploads\/2012\/03\/Ken.jpg\"><br \/>\n<span class=\"txtHeading\">BIO<\/span><\/p>\n<p><span class=\"txtParhead\">Ken Dahl<\/span> is the name Gabby Schulz used to make it harder for his relatives to connect him to the comics he draws. Born in Honolulu, Gabby has spent most of his adult life in a dreary transit about the continental United States. In May of 2007 he completed a one-year Fellowship at the Center for Cartoon Studies, which turned him into a full-time cartoonist and thus literally ruined his life. He has spent the last couple of years burrowing further into the American Midwest, in preparation for settling into an obscure yet blandly respectable death.<br \/>\n<span class=\"txtHeading\"> <\/span><br \/>\n<a name=\"Reviews\"><\/a><br \/>\n<span class=\"txtHeading\">IN PRAISE OF GABBY SCHULZ<\/span><\/p>\n<p><span class=\"txtParhead\">Schulz\u2019s art<\/span> is as good as any independent cartoonist working today\u2014grim and graphic, but also frank and penetrating. With plenty of anatomical details and ailments shown and described, <i>Sick<\/i> isn\u2019t for the easily grossed-out or offended. But those looking for a vital, independent voice to follow in the footsteps of Robert Crumb and others should give it a try\u2014some of Schulz\u2019s images and ideas will linger, like a stubborn infection, long after the book\u2019s cover has been closed.<\/p>\n<p><span class=\"txtReview\">&#8211; Foreword Reviews, Best Graphic Novels of Fall 2016<\/span><\/p>\n<p>Schulz uses the book to explore topics as broad as class inequity in the United States and as specific and personal as his own psyche.<\/p>\n<p>You may have seen <i>Sick<\/i> online when it was first serialized a couple of years ago, but in this new edition, Schulz seems to have repainted the artwork to give it a more rich and visceral feel. He is probably the most inventive cartoonist working in comics that many readers still have never heard of, and this is his most masterful piece of cartooning to date.<\/p>\n<p><span class=\"txtReview\">&#8211; Rich Barrett, mental_floss<\/span><\/p>\n<p>Gabby Schulz\u2019s unfairly overlooked and singularly upsetting <i>Sick<\/i> (Secret Acres) deserves mention, a painful and highly intimate look at depression from the inside out.<\/p>\n<p><span class=\"txtReview\">&#8211; A.V. Club, the Best Comics of 2016<\/span><\/p>\n<p>Schulz captures the experience of sickness with uncomfortable accuracy: the woozy slipping in and out of consciousness, the sense of health and wellness becoming but a distant memory\u2013and of pain and illness defining all of one\u2019s existence. <i>Sick<\/i> joins other books in the growing genre of graphic memoirs dealing with health issues, among them Ellen Forney\u2019s <i>Marbles<\/i>, John Porcellino\u2019s <i>The Hospital Suite<\/i>, and Jennifer Haydn\u2019s <i>The Story of My Tits<\/i>. While those books offer stories of people who navigated through their physical and mental problems to the point of reaching new possibilities for their lives, in <i>Sick<\/i>, Schulz\u2019s illness is the avenue that leads him to simply confirm all of his worst fears about himself and the world surrounding him: \u201cThe sickness had become me.\u201d This is uncompromising work by a brave and powerful artist.<\/p>\n<p><span class=\"txtReview\">&#8211; The Comics Journal<\/span><\/p>\n<p>He came away with a damned near irrefutable case against humanity in all its forms, unless you were willing to stick to that plan of willful ignorance, but you can read this yourself to see the case that he made. Granted, his mind was in a sick and dark place when he thought all this through, but I defy anybody to read this without agreeing with a good chunk of what he said. If you\u2019re content in the bubble that you\u2019ve made of your life and have no interest in seeing if anything could break through, stay away from this book at all costs. If you can accurately see your surroundings already and want to live as closely examined of a life as possible, there are few books better than this to help in that task.<\/p>\n<p><span class=\"txtReview\">&#8211; Optical Sloth<\/span><\/p>\n<p><a style=\"display:none;\" class=\"collapse-text\" id=\"te2118196822\" href=\"javascript:expand('#te2118196822')\"><span class=\"txtHeading\">MORE PRAISE FOR GABBY SCHULZ<\/span><\/a>\n<div class=\"te_div\" id=\"te2118196822\"><script language=\"JavaScript\" type=\"text\/javascript\">expander_hide('#te2118196822');<\/script>This is a Gordon Small comic and that means a laughing good time with a money-back guarantee! As the title suggests, Weather is a breezy, summery short tale about the effervescence of life itself. However fleeting, Gordon Small embraces life with all of its turbulence and small pleasures. Under cartoonist Gabby Schulz\u2019 master hand, Gordon Small absorbs with wide-eyed wonder the ambient details that ultimately encourage us all to cling to this wonderful world by the tiny finger holds afforded to us!<\/p>\n<p>As you can tell, I\u2019m deeply moved by Weather\u2019s joyful perspectives and optimism. A must-have for any fans of James Kochalka or John Porcellino.<\/p>\n<p><span class=\"txtReview\">&#8211; Darryl Ayo Brathwaite, Comix Cube<\/span><\/p>\n<p><em>Monsters<\/em> is possibly the funniest, most heartbreakingly honest herpes memoir ever committed to print. Dahl&#8217;s penwork is lyrical, at once detailed and light, never weighing down the humor\u2014no easy feat. He&#8217;s brutally (and graphically) honest about the affliction without working the gross-out factor too much. (Though to be fair, it&#8217;s just oral herpes. C&#8217;mon, lightweight.) The laughter he inspires is the sort of groaning, been-there chuckle of anyone who&#8217;s ever felt like a leper, for any reason. All that, and he manages to anthropomorphize the disease into something&#8230; almost&#8230; cute.<\/p>\n<p><span class=\"txtReview\">&#8211; Print<\/span><\/p>\n<p>Ken Dahl confronts his herpes affliction through comically grotesque drawings and tongue-tied dialogue with prospective dates in <em>Monsters<\/em> (Secret Acres, 208 pp., $18). The virus itself grows into a large blob that mutters, &#8220;I&#8217;m just another lifeform trying to survive in this weird, fucked-up world.&#8221;<\/p>\n<p><span class=\"txtReview\">&#8211; The Village Voice<\/span><\/p>\n<p>The memoir of illness is a creative nonfiction staple that, optimally, marries the story of an interesting personality to information and counsel about a malady the reader or someone the reader knows may someday contract. Since sickness tends to be unattractive, such books are seldom clinically illustrated. Merging autobiographical comics and disease info, however, Dahl defies the genre\u2019s visual reticence. And because the complaint in question is sexually transmitted herpes, there are other reasons for visual reticence. But alternative comics, at which Dahl is the dabbest of hands, have never seen a pudendum, whatever its condition, and blinked. So there are plenty of afflicted genitalia on view, also mouths (oral is as common as venereal herpes), and because they\u2019re intended to underline Dahl\u2019s craven fear (he commonly draws himself inside a giant herpes cell or morphing into one), they represent worst cases only. The information Dahl parcels out as he spills his misery\u2014almost entirely psychological and unnecessary, though he spun it out for five years\u2014is sound, and his self-flaying humor throughout is marvellously ludicrous.<\/p>\n<p><span class=\"txtReview\">&#8211; Booklist<\/span><\/p>\n<p>This is definitely the most entertaining book you\u2019ll ever read about herpes. Dahl (<em>Welcome to the Dahl House<\/em>) takes us on a harrowing but humorous journey from discovery through horror, denial, shame, guilt, and finally acceptance. Ken has no idea he may be infected\u2014until he finds he has given herpes to his girlfriend. It feels like a death sentence: not only the end of this relationship, but any relationship. Things finally change for Ken when he opens up to a partner, actually gets tested, and receives some accurate information about herpes. Expressive and often explosive black-and-white art creates well-defined characters and brings Ken\u2019s interior world to life (the monstrous talking sores that follow Ken around are particularly effective as his inner voice of doom and misery).<\/p>\n<p><span class=\"txtReview\">&#8211; Library Journal<\/span><\/p>\n<p>In the end it is the end that sews up <em>Monsters<\/em> as a real aesthetic piece of work. There\u2019s a decisive, encouraging conclusion that honors narrative convention and common sense. This is followed by two clinching toppers, an epilogue in which medical science has its final say, and another where Dahl demonstrates a humorous, hard-won, more substantive understanding of the world, micro and macro, with a crowning, profoundly human gesture.<\/p>\n<p><span class=\"txtReview\">&#8211; The Comics Journal<\/span><\/p>\n<p><em>Monsters<\/em> tells the story of a man\u2019s ascension to the highest level of neurosis due to the socially crippling herpes virus. It explores the realities, fallacies, stigmatisms and mysteries of the disease with artwork both vulnerable and incredibly disturbing. Ken Dahl lends his talents to both narrative and education, teaching his reader as much about the herpes simplex as he does his own low self-image. Originally three mini-comics published by Dahl, Secret Acres collected has them along with the rest of the story &#8211; previously unpublished &#8211; and released it as one cohesive graphic novel. Overall, this book\u2019s greatest accomplishment is creating a partially autobio comic that can be described as honest and revealing without a single pretense or eye-roll.<\/p>\n<p><span class=\"txtReview\">&#8211; DiTKO!<\/span><\/p>\n<p>After reading <em>Monsters<\/em> and <em>Welcome to the Dahl House<\/em> earlier this year, Ken Dahl is fast becoming one of my favorite artists. While a non-fiction memoir about life with the herpes simplex virus seems well, icky, at first, (<em>Monsters<\/em> is) one of the most compelling books I\u2019ve read all year, and certainly one of the best original graphic novels\u2026 I\u2019ve ever read.<\/p>\n<p><span class=\"txtReview\">&#8211; Syndicate Product<\/span><\/p>\n<p>Ever wondered what it would be like to have herpes? Dahl breaks all the misery down for you in an extremely funny, warm and relatable manner.<\/p>\n<p><span class=\"txtReview\">&#8211; Comic Book Resources<\/span><\/p>\n<p>After <em>Welcome To The Dahl House<\/em>, (<em>Monsters<\/em>) confirmed Ken Dahl as one of the most original voices in contemporary comics. Just try to create a story about something as unsavoury as herpes and make it insightful, informative, moving and funny all at the same time! And nobody draws a virus like Ken.<\/p>\n<p><span class=\"txtReview\">&#8211; Forbidden Planet<\/span><\/p>\n<p>Ken Dahl\/Gabby Schulz\u2019s semi-autobiographical graphic novel about herpes is a cautionary tale for, as Jeffrey Brown writes on the back cover, \u2018anyone who has had sex, is going to have sex, or wants to have sex.&#8217;<\/p>\n<p><span class=\"txtReview\">&#8211; Drawn<\/span><\/p>\n<p>Dahl is very much an original, who manages to walk the line between intense rendering and clear page design. His figures went from simplistic to naturalistic to cartoony, sometimes all on the same page. <em>Monsters<\/em> is a book that has a lot of narrative text, but it\u2019s just in support of the intensity of the images on every page. Dahl either employs a funny drawing or grotesque drawing in nearly every panel, powerfully underlining the central theme of unearned alienation. It\u2019s a tribute to his skill and sense of humor that this unrelenting intensity doesn\u2019t become overwhelming to the reader\u2026. <em>Monsters<\/em> is both a funny confessional story highlighting the mistakes of its protagonist and an attempt to open a dialogue, and it\u2019s a rousing success on both counts.<\/p>\n<p><span class=\"txtReview\">&#8211; Rob Clough<\/span><\/p>\n<p>It\u2019s an improbable subject for a full-length graphic novel, but in Dahl\u2019s hands <em>Monsters<\/em> is educational and deftly funny, a gentle reminder to keep things\u2014even STDs\u2014in perspective.<\/p>\n<p><span class=\"txtReview\">&#8211; The Portland Mercury<\/span><\/p>\n<p>Sometimes reading a truly superior comic can either devastate you (me) by making you realize that you may never achieve something so perfect OR it can revitalize you and give you newfound resolve and energy. Anyhow, I highly HIGHLY recommend picking this one up. It\u2019s a compelling story and even more compelling artwork.<\/p>\n<p><span class=\"txtReview\">&#8211; The Holy Yost<\/span><\/p>\n<p>Dahl is as gifted an artist as he is a writer, and even with his cartooning style, he\u2019s able to sneak in some education about the disease without it seeming like a lesson at all. You have to appreciate how forthright he is \u2014 let\u2019s face it, not everybody would be up for drawing himself masturbating in the shower \u2014 and in letting down his guard, he laughs at himself so you can, too.<\/p>\n<p><span class=\"txtReview\">&#8211; Bookgasm<\/span><\/p>\n<p><em>Monsters<\/em>: A new Secret Acres collection of Ken Dahl\u2019s frank, vivid, and energetically cartooned account of herpes \u2013 its composition, its spread and its effects on a man, and other people. I\u2019ve read some of this in mini-comics form, and I was impressed by its visual ingenuity and strong sense of humor. Very much worth checking out.<\/p>\n<p><span class=\"txtReview\">&#8211; Jog<\/span><\/p>\n<p>Drawn primarily in a 2\u00d72 panel grid, Dahl brings the virus to life, literally, drawing its phantom manifestation to haunt Ken as it weighs on his mind more and more with each passing day. It\u2019s a hallmark of Dahl\u2019s art in <em>Monsters<\/em>, twisting the physicality of Ken as different emotions race through him. From a caved-in face as a divine figure crushes his face (after getting ripped a new one by an acquaintance), to transforming into a dog while lusting after a passerby, what could have come across as silly or cheesy instead gains an extra physical punch to the gut, with Dahl\u2019s meticulous lines bringing out Ken\u2019s feelings and emotions.<\/p>\n<p><span class=\"txtReview\">&#8211; The Holy Yost<\/span><\/p>\n<p>Sometimes reading a truly superior comic can either devastate you (me) by making you realize that you may never achieve something so perfect OR it can revitalize you and give you newfound resolve and energy. Anyhow, I highly HIGHLY recommend picking this one up. It\u2019s a compelling story and even more compelling artwork.<\/p>\n<p><span class=\"txtReview\">&#8211; Read About Comics<\/span><\/p>\n<p>Who would have thought a comic about herpes could be so funny? Maybe those who are familiar with Ken Dahl would expect it, but those of us who haven\u2019t read his prior work will probably be surprised at how he takes such a serious subject and wrings a great deal of humor out of it, while still educating readers about the disease and delving into the physical and psychological toll it takes on those affected by it. It\u2019s definitely a testament to Dahl\u2019s cartooning skill, as well as his fearlessness when depicting himself in a less-than-positive light.<\/p>\n<p><span class=\"txtReview\">&#8211; Warren Peace<\/span><\/p>\n<p>It\u2019s a difficult, punishing read, just as it was clearly a difficult, punishing experience for Dahl, but his evocation of pain, horror, and self-loathing is nonetheless masterful.<\/p>\n<p><span class=\"txtReview\">&#8211; The Onion AV Club<\/span><\/p>\n<p>Given the nature of its subject matter, <em>Monsters<\/em> could easily turn into an unreadable self-pity party. But Dahl is too smart \u2014 and funny \u2014 (a) cartoonist (for) that. It\u2019s that sense of humor, and even downright playfulness, that ultimately makes <em>Monsters<\/em> such a delightful, warm read. And that\u2019s certainly something I never thought I\u2019d say about a book about Herpes.<\/p>\n<p><span class=\"txtReview\">&#8211; Robot 6<\/span><\/p>\n<p>Gabby (as Ken Dahl is also known, and neither is his real name) was born into this world, and then immediately ascended into the pantheon of comics gods with his very first comics. From the heavens above, he showers us with awesomeness. And comics. And semen.<\/p>\n<p><span class=\"txtReview\">\u2013 Matt Bernier<\/span><\/p>\n<p>The second issue of the 2006 Ignatz Award-winning mini-comic about STDs and all their wonderful, mysterious horrors. This issue begins the story&#8217;s sudden and precipitous drop into genuine awfulness, as a virus drives its wedge between two perfectly normal and tragically ignorant young lovers: A must-read for anyone with genitalia.<\/p>\n<p><span class=\"txtReview\">\u2013 The Comics Journal<\/span><\/p>\n<p>Ominously absorbing\u2026 \u2026Exemplifies why they hand out Ignatzes.<\/p>\n<p><span class=\"txtReview\">\u2013 The Comics Journal<\/span><\/p>\n<p>Everything is just on, so everything just flows\u2026 \u2026Monsters is an incredible read.<\/p>\n<p><span class=\"txtReview\">\u2013 Indie Spinner Rack<\/span><\/p>\n<p>Ken Dahl&#8217;s work runs the gamut from single-panel non-sequitur gags (&#8220;You&#8217;re Killing Me&#8221;) to fairly incisive political commentary (&#8220;Taken For a Ride&#8221;); his seemingly catchall anthology &#8220;NO&#8221; seems like a good place to start. Throughout, Dahl displays a fine eye for observation; perhaps the best piece is an evocative meditation on the transcendental pleasures to be had in swinging in a deserted park at night. The narrator, a garrulous bumpkin by the name of Gordon Smalls, reminds me of a few shockingly upbeat burn-outs I&#8217;ve had the pleasure of meeting over the years, whose unwavering inner light somehow guides them over failures that would send me plummeting into despair. Dahl, on the other hand, always maintains an amusingly grim disposition; this strip ends with an icy &#8220;but so what&#8221; writ large in the night sky in response to Gordon&#8217;s poetic excesses, another climaxes with Gordon suddenly breaking into tears over a bowl of cereal and frozen bananas. Dahl is definitely following in the long shadow cast by that ultimate grim bastard Robert Crumb; and thankfully he has the intelligence and talent to pull it off. Dahl&#8217;s brand of anger and bitterness are an oddly pleasant alternative to the trend toward uber-sensitivity and navel-gazing to be found in so many &#8220;indy&#8221; comics these days, as he says himself &#8220;I am no Jeffery Brown&#8221;. Even a highly personal and amusing recollection of some of Dahl&#8217;s early sexual experiences maintains a level of authorial distance that only adds to the bizarre emotional quality of the piece.<\/p>\n<p><span class=\"txtReview\">\u2013 Francois Vigneault<\/span><\/p>\n<p>10 Disturbingly Brilliant Graphic Novels:<br \/>\nNow, here\u2019s a book that lends itself wholly to the form. <em>Monsters<\/em> is a semi-autobiographical story of Dahl\u2019s experience after contracting herpes and letting it infect not only his body but his psyche. Half novel, half bizarro health class film strip, Dahl\u2019s decidedly uncomfortable illustrations and brutally honest storytelling make this the best comic you\u2019ll ever read about herpes. Or, maybe, anything.<\/p>\n<p><span class=\"txtReview\">&#8211; Emily Temple, Flavorwire<\/span><\/div><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>BIO Ken Dahl is the name Gabby Schulz used to make it harder for his relatives to connect him to the comics he draws. Born in Honolulu, Gabby has spent most of his adult life in a dreary transit about the continental United States. In May of 2007 he completed a one-year Fellowship at the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":962,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/secretacres.com\/index.php?rest_route=\/wp\/v2\/pages\/980"}],"collection":[{"href":"http:\/\/secretacres.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/secretacres.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/secretacres.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/secretacres.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=980"}],"version-history":[{"count":39,"href":"http:\/\/secretacres.com\/index.php?rest_route=\/wp\/v2\/pages\/980\/revisions"}],"predecessor-version":[{"id":6003,"href":"http:\/\/secretacres.com\/index.php?rest_route=\/wp\/v2\/pages\/980\/revisions\/6003"}],"up":[{"embeddable":true,"href":"http:\/\/secretacres.com\/index.php?rest_route=\/wp\/v2\/pages\/962"}],"wp:attachment":[{"href":"http:\/\/secretacres.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=980"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}