John Brodowski grew up in an “utterly unremarkable” New England town. Unfortunately this is also where he currently lives. During his brain’s most crucial developmental period he enjoyed watching many, many horror movies such as Rawhead Rex, Death Race 2000, and The Toxic Avenger. He also enjoyed staying up very late and eating 10 packs of Reeses Peanut Butter Cups. JB is currently battling a Pepsi addiction but can’t seem to make comics without it. Bottom Line: If you like the movie Cyborg starring Jean-Claude Van Damme then you should buy these comics.
IN THE EMPORIUM
John’s comics can be found in the Secret Acres Emporium here.
What were the best comic books of the last year? Dan Nadel, founder of the PictureBox publishing house, lists his favourites …
Way out in North America, in the countryside past the suburbs, near a forest near a lake, John Brodowski has planted his Curio Cabinet (Secret Acres). Each story in this collection maintains a perfectly reasonable veneer until, for example, an enormous dog paw descends from the heavens and slaps a man out of a car, or a menacing Loch Ness Monster is hailed by a hard-rocking Judas Priest. This is a book in which a doppelganger of the old Friday the 13th villain Jason Vorhees, he of the hockey mask, appears again and again, like a totem, achieving a weirdly peaceful mythos by the end. And yet it all seems so ordinary in Brodowski’s methodical, carefully shaded panels, each unravelling just so, patiently waiting for us to give in to his logic. All of this is to say: I can’t think of a better metaphysical horror comic in recent memory.
– The Economist: More Intelligent Life
Idiosyncratic, funny, and haunting, Curio Cabinet is a laugh out loud exploration of the mysterious and mundane, where the awe inspiring is unearthed and revealed, often without warning, from the detritus of modern life. There is nothing else like it. In Brodowski’s hands, content and style come together to create a surprisingly layered, rich, singular work, revealing an artist in deft control of his form. One of the best young cartoonists to emerge in years.
- Sammy Harkham
Like the other books Secret Acres publishes, Curio Cabinet is the result of a cartoonist with a vision that doesn’t neatly conform to underground, genre or typical alt-comics sensibilities. Curio Cabinet is informed by pop culture detritus in terms of its form and inspiration, but Brodowski takes that juvenilia and creates something strange, beautiful and memorable. It’s a comic that must be approached on its own terms, because while the images and stories can be teased for meaning with a little effort, Brodowski not only doesn’t spell it out, he understands that spelling it out would destroy the effect he’s going for: that sense of full immersion in fantasy, following it to its furthest ends.
– Rob Clough, The Comics Journal
Every day throughout the month of December, Attentiondeficitdisorderly will spotlight one of the best comics of 2010. Today’s comic is Curio Cabinet by John Brodowski, published by Secret Acres — quietly ecstatic horror.
I’ve been writing about the similarity between the horrific and the sublime for (God help me) over a decade now, but its rare for me to come across a comic that makes that connection as frequently and as subtly as John Brodowski’s Curio Cabinet. While reading it I located squarely in the increasingly rich contemporary alt-horror tradition–the deformed figures and soft pencils of Renee French, the heavy-metal/D&D imagery of Lane Milburn, the mostly wordless narratives of (to my delight!) almost too many talented horror cartoonists to list. And yes, there’s even the de rigeur cat-torturing scene. But only in flipping through the book in preparation to write this review did I realize just how many of Brodowski’s short, creepy stories end with their alternately hapless or horrifying protagonists gazing into a vista of vast natural or even cosmic splendor. Two separate characters who have very different nature-based obsessions both end up immersed in the great outdoors, staring off into the distance–as does a lake monster after unleashing its full destructive power on a battlefield. Two other characters–one the victim of a monster-induced car wreck, the other none other than Jason Voorhees–become a part of titanic outer-space tableaux: Jason is cradled by his mother Pieta-style in the sky, the accident victim welcomed into the embrace of a colossal dog-god. Several stand-alone images, most memorably a series of illustrations from the old anti-Semitic myth cycle of the Wandering Jew, take on a similarly ecstatic, transcendental feel. The message is both troubling and comforting: It implies a connection between the individual horrors we experience and the very fabric of existence, yet it also suggests that perhaps an enlightenment is possible whereby this waking nightmare can be appreciated, if never fully understood. More like this, please.
– Sean T. Collins, Attentiondeficitdisorderly
Curio Cabinet by John Brodowski is really terrifying, nightmarish and good. It’s smart and weird and everything I hope for when I got to pick up my mail at the PO Box.
– Kevin Huizenga
John Brodowski’s first two comics are drawn in lush pencils, the perfect medium in which to depict the dullness of suburbia and its inhabitants: grotesque families, D&D-inspired monsters, and passionate squirrel-men.
The stories in these books are very cinematic. The opening piece in Curio Cabinet #1, “Grandfather’s Clock,” reminded me of David Lynch’s Eraserhead. Like that film, its subject is a mysterious reproduction: A fiddler performing on stage creates a cloud of musical notes, two of which engage in some kind of intercourse, resulting in the birth of the protagonist. The mutated family, music incarnate, is observed eating a meal and communicating in musical-note filled speech balloons. The cute musical-note-headed hero visits the fiddler (his grandfather?) in the hospital … the end. This story has its own logic and doesn’t stoop to explain itself, leaving the reader with a generous amount of dark graphite images to ponder.
A series of drawings follow that deepen and darken the mood, depicting incursions of sci-fi weirdness into playgrounds and backyards. These remind me of Steven Spielberg or the photos of Gregory Crewdson, in which the burbs are invaded by inexplicable, supernatural forces. It’s a familiar device, but these drawings are very funny.
The book ends with another memorable and wordless tale. A picnicker is plucked up by a massive wolf-headed bird, much to his girlfriend’s chagrin. The bird files the man to a mountain in the clouds to do battle with two of the most gnarly characters ever seen outside of Napoleon Dynamite’s sketchbook.
The second issue of Curio Cabinet contains a long tale about a man’s obsession with squirrels, and a series of short strips starring Jason from the Friday the 13th movies. It is only slightly less perfect than issue #1, and is also highly recommended.
– Matthew Thurber, Comics Comics
Top 50 Books of 2010
8. Curio Cabinet, by John Brodowski (Secret Acres). Here’s my original review. To quote that review: “[Curio Cabinet is] series of stories where quiet moments quickly become outrageous and horrific in a way that is frequently ecstatic, and outrageous moments unexpectedly become calm and contemplative.” Like much of alt-comics horror, this book works on a number of levels, not the least of which is as comedy.
- Rob Clough, High-Low
Brodowski’s tastes for trinket collecting, gas station kitsch, 80′s horror and action movies, heavy metal, and rural Vermont get tossed in the blender and Curio Cabinet is the result. Brodowski has developed a signature drawing style that relies on pencil shading and leaves out the ink all together. The Curio Cabinet book by Secret Acres collects the self-published Curio Cabinet 1-4 plus some extra goodies. Each issue is a collection of short segments, with very little text or dialog, and other random drawings. Some of the pieces have the essence of a narrative, which is usually a very small segment of time or some psychedelic transformation. Browdowski has a real knack for expanding a moment and lingering on the details within. There is a really interesting tension between the hints of narrative and the refusal to lay it all out in some easily understood fashion. Basically, I think a lot of readers could mistake these short segments as not making any sense and not saying anything, but most of these segments do have some sort of logic to them, even if it is an inside joke and difficult to decode. Curio Cabinet really relies on reading the images, noticing small differences and having a twisted sense of humor. There is a continuing segment called “Cus Mommy Says So” which chronicles the loneliness John imagines for Jason from the Friday the 13th movies. Most of the other tales are short one-offs. Look for tales of a suicidal axe, a man who want to become a squirrel, teen dweeb metal heads, the joys of building a fort in the woods, and other weirdness that is too hard to put into words and best just experienced.
- League of Comics Librarians
@DandQ This is amazing! Best comics publisher site of all time. Maybe you should get artists for the other letters in the alphabet now.
- Friday Aug 8 - 5:01pm
@realasianfriend It's all for YOU! But, really, thanks; we needed that!
- Thursday Aug 7 - 10:09pm
ZOMG! It's Tim O'Neil for the Onion AV Club on Corinne Mucha's Get Over It! and it's a pretty darn good review, too. Tim's clearly on top of his comics game, name-dropping and comparing Corinne to none other than Kate Beaton, John Allison and Dylan Horrocks - pretty much a Mt. Rushmore of the medium. He gets it right; Corinne hits every bump on Heartbreak Road, ever stage of grief, but all told, it's actually kind of... ...fun? As Tim puts it, she "turns a book about three years of anguish into a page-turner." There IS something fun about being heartbroken, and not just the rebound. It's like a license to crazy. At least we think so. There's lots of other good stuff reviewed here, too, including Rocket Raccoon's latest, Superman and Roman Muradov (love that guy). Corinne's got some good company for Get Over It! Thank you, Tim, and thanks, AV Club, for the very kind words. You guys go read now at the link!
We are outta here! Or at least will we be in the morning. Actually, the very early morning. Sigh. But we're going to the Rhode Island Independent Publishing Expo aka RIPE! This is our first time at the show. It's also the first time FOR the show. RIPE is brand new and the brainchild of some folks we truly adore, like Mickey Z, who roped us into going way back when at the last Comic Arts Brooklyn. Yes, it is suspicious that there's a comic show in the dead of summer called RIPE. We've stopped showering and wiping for the occasion. Kidding. At our table will be Brendan Leach, of Iron Bound fame, and Sean Ford, he who has brought you Only Skin. Not only will Sean have the new and improved edition of Only Skin, he will have the fourth, yes, FOURTH issue of his new series, Shadow Hills. Playing the role of Secret Acres comics mule on the ride up will be Dave Nuss of Revival House Press, home of folks like Malachi Ward. It's a star-studded event and we don't even have to worry about crossing any borders! Doors are at noon and details are at the link below. If you're in Providence now, there's all kinds of stuff happening tonight, too. We will see you tomorrow...
The thing about Mike Dawson's newest graphic novel, Angie Bongiolatti, is that it's daunting at first glance but kind of impossible not to identify with its characters. Well, you could somehow not identify with them, and that's your right, but you'd probably be completely insane. Rob Kirby, writing for the Comics Journal, writes about Angie Biongiolatti so well, that he might just be the ideal reader for this one. He's sensitive, empathetic, politically conscious and he likes to party. He also nails Angie, the character, who can come across as enigmatic or aloof, but it's her faith and her clarity, as Rob puts it (and we're paraphrasing), that make her the best barometer ever for the most difficult of times and the craziest of people. The key, though, is Rob writing that he knows these folks and he's partied with them. It would have been a lot easier for Mike if he'd had an agenda when he drew these people. Yeah, we might have recognized the ideas, but maybe we wouldn't have recognized these people. Poor Rob! He's one of THEM! Thanks, TCJ, and Rob, especially. This was a really good one.
Well, folks, Edie Fake has arrived! This newest LA native gets a very warm welcome indeed from Joshua Michael Demaree at the LA Review of Books. It's both a full-blown interview, a complete history and in depth review of Memory Palaces, Edie's latest and our first ever art book. If you're worried about Edie going Hollywod, go ahead and worry since Demaree has christened him a "flourishing celebrity." At least, he's a flourishing celebrity in the queer art world. There's some stuff in here that rarely gets discussed, including Edie's background as a video artist and the influence of that medium on his comics work. We even get a mention in the story of how we met Edie, which almost didn't happen. Plus, and this was news to us as well, Edie's return to Chicago (after "going feral") coincided with the death of Michael Jackson. But was it a coincidence? Thank you, Joshua, for all your super thoughtful work here (and for making another dream come true and writing up a Secret Acres book for the LA Review of Books). Go and read this very funny and very serious career retrospective right now!