Michiel Budel lives and works in Amsterdam (Holland). He wishes to become a director of horror movies. Sadly, since he has no cameras and no education in this field, he enjoys writing and drawing his own comics.
Greatest Comic of All Time | Wayward Girls (Slechte Meisjes) #1
Wayward Girls follows the adventures and mishaps of a group of nameless pubescent girls who seem to be part of a combination school/scout troop with heavy fascistic leanings (swastikas are a common sight). The one- and two-page strips collected in the print edition maintain a special focus on uncomfortably) the girls’ sexual lives and (just bizarrely) geopolitics. An epic double-pager focuses on one girl’s decision to join the US Army after receiving a recruitment letter — “she thinks they are heroes”, a disembodied face tells us through her mail slot — and her subsequent torrid romance with an Afghani girl whose family is all but certainly smuggling heroin into America “via the ports of Newark”. The final panel shows both girls locked in a passionate nude embrace, with a word balloon whose source isn’t quite clear proclaiming that “love has no cultural boundaries!”
…Wayward Girls, then, is a child-molesty comic with Nazi overtones, and it’s also the proof that even something that sounds that uncalled for can feel absolutely essential if it’s done skillfully enough. This comic is both side-splittingly hilarious and fascinatingly strange, the kind of thing you want to re-read immediately once you finish just to see if you can figure it out once you’ve wiped away the tears of laughter. There’s very little narrative cohesion to be found here, though recurring plotlines touch whimsically (to say nothing of erotically) on heavy topics like the war in the Mideast and the Grecian debt crisis. The real joy of reading these comics is in the push forward, the anticipation of seeing what Budel will come up with next…
This is drawing to change people’s ideas of what exactly “beautiful comic book art” looks like, and it’s also the perfect match for the surreal, logic-light world of the stories it brings to life. It’s rare indeed to see a comic both this far removed from anything else and this aesthetically unified, but here it is: something that manages mastery with almost no visible influences. There isn’t a whole lot else like Wayward Girls, and there certainly isn’t much else this good out there at the moment.
- Matt Seneca, CBR
Today I’d like to talk to you guys a little bit about one of my favorite webcomics. Dutch for “bad girls,” slechtemeisjes is a bizarre weekly strip starring a group of nearly identical teen girls who live with a professor? I’m not sure how much of a continuous storyline runs throughout the episodes, but I get the feeling that isn’t really the point. A typical strip consists of the girls getting involved in some surreal adventure or circumstance, punctuated by the odd, matter-of-fact dialogue that more or less narrates the scene, until culminating finally in some kissing and/or missing clothes…
…I couldn’t help but think of Paul Chan when I first saw the strip above, where the girls meet Scott McCloud. You have the similarly youthful and innocent girls who have that Darger simplicity to them, the nonchalant nudity and carefree sex thrown on top. And through it all you can sense the keen mind behind it that’s having just having fun as much as making some subtle, subversive commentary.
The author of this work is pretty mysterious – after exchanging a few messages with them, I’ve learned they live in the Netherlands (obvi), are an art school graduate and that this is their first comic. I was also tipped off that the similarities to Darger are coincidental, and that the main influence is Dutch artist Joost Roelofsz (see below). The artist has also adopted the name of the strip as a pseudonym, which I suppose is just as well since this is so far their only comic.
I think this is a great and hilarious strip, and it’s one of the few webcomics I’ve been reading on a regular basis. I love the drawing style and the colored pencils, and especially the bits of tape or pasted on word-balloons (perhaps a result of translating to English?) that show up from time to time. There’s a very physical quality to how it’s presented, the online presentation is very close to what you’d see in person, which is refreshing after seeing so much computer generated work on the web (not saying that’s bad!).
The true reward is that as it goes on, slechtemeisjes is getting better. I hadn’t read the earliest strips until just before writing this, and was somewhat surprised at how different they are. From what I can tell, the comic was begun this past February, and seemed to be much more focused on the lesbian sex aspect initially. Of course, these earlier strips are untranslated, also, so I can’t really gauge the other level that’s taking place. Still, it’s more clear from the first pages, with the blank background and lack of panels, that things were only just beginning to take to the air.
As the months go on, you can see more and more control being taken over the tone and the compositions. The girls are given space to exist in, and the panels allow for a nice rhythm that makes their varyring tilted poses even more fun. September has to be my favorite month, as well, as we saw one of the girls get pregnant somehow from fooling around with eachother in the woods, the girls do laundry, and the day when one of the girls forgets to do their homework for genius class (spoiler: it all turns out ok). This comic is weird and absurd and silly and baffling in the best ways possible. The humor is as strange as they come, but importantly, it does it all with a straight face, there’s no winks to the audience, beyond of course just how silly it all can be. This is the kind of thing that’s right up my alley.
Hopefully I’ve whetted your appetite enough by now, so you should go read the rest of the girls’ adventures and check back every week too see more.
IN THE EMPORIUM
@gimpnelly Oh. Well, carry on then.
- Tuesday Dec 10 - 10:20pm
@gimpnelly It would probably go faster without the hand warmers, no?
- Tuesday Dec 10 - 10:15pm
@gimpnelly WHERE IS YOUR BOOK ALREADY (we ask, knowing someday you will say it's done).
- Tuesday Dec 10 - 10:12pm
If you didn't make it to the New York Comics & Picture-Story Symposium last week, Andrea Tsurumi has all the gory details up on the Rumpus. It was standing room only at the Symposium on Monday night. Maybe it should have been dancing room only. Our man, Brendan Leach, brought the band with him, meaning the actual Newark Wanderers, performing songs inspired by (and appearing in) Brendan's (and our very own) Iron Bound graphic novel. It was a lot of fun. We even got to hear songs that didn't make it into the book or on to the album. Not to be totally outdone, Nick Sousanis talked about his thesis project, Unflattening, which is also a graphic novel on multi-modal learning. Nick can really draw, and the project is fascinating enough that it ought to get him his PhD from Columbia, no less. In any case, this was the most interdisciplinary, most multi of media Symposium night we've ever attended. Get caught up at the link below. And thanks, Andrea and the Rumpus (which could be a good band name, maybe)!
So excited to be going to the Short Run small press fest this coming Saturday in Seattle! I'll be tabling with friend and fellow Secret Acres artist Sean Ford!
PEOPLE OF THE HERE (meaning New York City, because that's where we're at): Tonight at the NY Comics & Picture-story Symposium, Brendan Leach's Iron Bound will be up for a semi-scholarly discussion. The Symposium is the brainchild (huh?) of comics deity Ben Katchor. Meeting every Monday night, a bunch of folks get together for two presentations by cartoonists, publishers, academics and the like. Each part of the double bill is up for a Q&A afterward, assuming folks can keep quiet through the actual talk part. Better than the average chalk and talk, the Iron Bound band, the Newark Wanderers, will be performing live! The other half for this meeting is Nick Sousanis, who's getting his PhD from Columbia and chatting about how "images have been typically relegated to aesthetics and spectacle." No, really. Anyway, get yourself down to Parson's Bark Room - and get on the Symposium mailing list. It's free, it's awesome, it's every Monday, and you will get an actual e-mail from Ben Katchor (mr. Picture-story himself) every week. That might be the best part. See you in a few!
Alrighty! In what is likely to be our very last Scuttlebutt blog post of this year of 2013, we give you our thoughts on the bouncing baby Comic Arts Brooklyn show. The short take: we loved it. Our new hometown comics show was a smooth ride. We dropped a ton of books and are forever grateful for the good people of Brooklyn and Gabe Fowler and his Desert Island crew for keeping the flame. Long live CAB! Just for fun, we decided to spill the beans on a whopping five new books coming from us in 2014. Some of them might sound familiar to you (because they shoulda been 2013 books) but we promise you've never seen the new ones before. Speaking of new ones, let's all give Corinne Mucha a warm welcome to Secret Acres. We've been in love with her comics for way too long now, so it feels overdue. We're totally excited to be putting out her new book, Get Over It, in 2014. Yes, Secret Acres won't be such a sausage party next year. If you want even more of the ladies, Mike Dawson's new book, Angie Bongiolatti oughtta be your kind of thing. Oh, yeah, and there's our first ever art book from that guy, Edie Fake. Not bad, huh? Plus, Casey's CAB party report and our thoughts on a certain Kickstarter (so stop asking us) are in here, too. Go on and click the link already.