20 pages. Black and white with silk-screened cover. 5-1/2" x 8-1/2". 2006.
28 pages. Black and white with silk-screened cover. 5-1/2" x 8-1/2". 2006.
Single fold-out poster page with silk-screened cover. Closed: 4" x 6". Open: 11" x 17". 2007.
Xeric Award winner. 24 pages, newsprint (black and white). 11" x 17". 2007.
20 pages. Black and white with silk-screened cover. 5-1/2" x 8-1/4". 2005.
24 pages. Black and white with color cover. 5-7/8" x 8-1/4". 2007.
20 pages. Black and white. 5-7/8" x 8-1/4".
36 pages. Black and white with color cover. 8-1/4" x 11-3/4". 2005.
20 pages. Black and white. Includes "Yorkie Roomies," "'Me' Time," and "Yorkie Schoolmates." 5-1/2" x 8-1/2". 2004.
24 pages. Black and white with silk-screened card stock cover. Includes "Gray Ghost (Part II)," and "Bitter Fruit." 5-1/2" x 8-1/2". 2007.
28 pages, black and white. Silk-screened color cover. Includes mini-mini comic, "A Case of the Negative Nancies."
2007. 30 pages. Newsprint.
2011. B&W newsprint. 44 pages.
2012, the comic, is truly the end of the world and it features Jackie Chan and vampire sexing, which all the kids are into these days. Featured in Conor Stechschulte's and Closed Caption Comics' anthology, Sock, Sam Gaskin proves the Mayans were right.
The Factual Opinion's Nina Stone writes:
"Gaskin riffs off of a multitude of philosophies and end-of-the-world hypotheses with everyone from Roy Orbision to Nostradamus, from the Hopi Indians to a horny Dracula over to the duo from Rush Hour. (I've left out a bunch of others intentionally because hey, I don't want to totally spoil it for you, right?) It's clever, hilarious, AND he finds a way to tie them all together into one great 2012, end-of-the-world-as-we-know-it scenario...
At first, I felt like I might not be smart enough to review this. But then I realized that it wasn't intelligence that I was thinking about, but the results of my intelligence--meaning I thought that this was a comic worthy of a great review, a review that would make people want to read it and experience it and laugh at it as much as I did. I wanted to be able to write the sort of thing that could compare and contrast it to other artists and comics in ways that would make people want to read along with me.
I figured out what all those feelings meant, eventually. It just meant that I am a Sam Gaskin fan.
And that I think you should be too."
24 pages, 8 x 10 in, Two color.
Download a preview here.
Sean T. Collins, Attentiondeficitdisorderly, writes:
“I’ve been writing about the similarity between the horrific and the sublime for (God help me) over a decade now, but it's rare for me to come across a comic that makes that connection as frequently and as subtly as John Brodowski’s Curio Cabinet... The message is both troubling and comforting: It implies a connection between the individual horrors we experience and the very fabric of existence, yet it also suggests that perhaps an enlightenment is possible whereby this waking nightmare can be appreciated, if never fully understood. More like this, please.”
Curio Cabinet 5 is a bold and daring change of direction from alt-horror to alt-action, with a cast fit for the Expendables. Can four action icons find peace? What the hell would that peace even look like? There's plenty of guns and ammo in John Brodowski's infrared vision of our best, and bloodiest, heroes on the high octane path to redemption.
32 pages, 12x8in, Two color.
“This comic is weird and absurd and silly and baffling in the best ways possible. The humor is as strange as they come, but importantly, it does it all with a straight face, there’s no winks to the audience, beyond of course just how silly it all can be. This is the kind of thing that’s right up my alley.”
- Kevin Czap, Comix Cube
Featuring guest appearances from the likes of Sigmund Freud, Scott McCloud and the Hotrod “Rowdy” Roddy Piper, Wayward Girls came to life as a semi-weekly web comic by mysteriously pseudonymous authors working under the moniker Slechtemeisjes. We’ve since uncovered at least one actual name, Michiel Budel, an art school graduate and citizen of Netherlands. This is his first comic, which is shocking considering his skill, and to be expected, because there is simply nothing like Wayward Girls anywhere.
Stitch bound comic. 24 pages. 7" x 10". Full Color.
Weather marks the return of Gabby Schulz's signature comics avatar, Gordon Smalls. It's a bit of a departure for both Gabby and Gordon, being the first time Gabby's ever used any color in a print comic, and what has to be the first occasion in which the normally verbose Gabby and Gordon keep their mouths pretty well shut. Short, hilarious, beautiful and nasty, Weather makes a for a quick read and endless re-reads.
2012. 18 pages. 8" x 10". Full-color.
Published by 2D Cloud. Foreword by Christopher Butcher. Including comics by Michael DeForge, Zak Sally, Emily Carroll, Maurice Vellekoop, Noah van Sciver and MariNaomi. Edited by Raighne Hogan. Full color.
52 pages. Silk-screened cover. The conclusion to Edie Fake's Gaylord Phoenix saga.
20 pages. Silk-screened cover. A new ongoing series from Edie Fake!
It seems we didn't learn well enough after the first issue of Wayward Girls because we have returned to scene of the crime with Wayward Girls 2, the latest print edition of Michiel Budel's web comic, Slechtemeisjes. Nominated for Bleeding Cool's "Comic Most Likely to Need Defending by the CBLDF in the Nest Twelve Months" Award and hailed as the "Greatest Comic of all Time" by CBR, Wayward Girls was definitely dangerous. Like most sequels, the volume gets turned up a bit for this one. Wayward Girls 2 is longer, harder and deeper than the first.
“It was surprising news - Budel's talent and vision are undeniable, but it was a little tough to believe that this weird stuff of all things had come due for a luxe treatment by one of alternative comics' most exciting imprints. Holding the eventual printed product was, however, enough to make a believer out of anyone.”
- Matt Seneca, Robot 6
The returning cast includes the likes of Sigmund Freud, Scott McCloud and the Hotrod “Rowdy” Roddy Piper, but we can add the Iron Sheik to the list now.
24 pages. Full color.
5 3/8" x 8 1/2". 68 pages. Featuring work by Sean Christensen, Theo Ellsworth, Amy Kuttab, Catherine Peach and Stefan Saito.
8" x 5.25". 16 pages. Black and white with color card-stock cover. 2012.
Eschew deploys a truly immaculate, almost inhumanly perfect line to depict us at our messiest and most human. Every story takes an unflinching look at the unfortunately familiar stupidity that comprises modern existence. These are those little moments, when no one is looking, that make you laugh out loud to remember, that you would think twice before sharing and that are the building blocks of wisdom.
The second installment of Eschew, first published by Dylan Williams’ Sparkplug Books, was nominated for an Ignatz Award for Outstanding Comic in 2010, and selected for inclusion Best American Comics 2011.
Rod Lott, of Bookgasm writes:
“This black-and-white anthology goes for the absurd, more often than not, starting with “Flying Squirrel,” in which a squirrel indeed flies, but unwittingly so. It’s wordless, save for one laugh-aloud line at the end... And you’re an asshole if you laugh. Like I did.”
40 pages. 5" x 7 1/2". 2013.
You can download a pdf preview here.
The first installment of this visually uncanny series was selected as one of the thirty best mini-comics of the year by The Comics Journal. Expanding on themes of loneliness, ennui and commercialism, Sequential Vacation 2 follows the romantic beach fantasy of a man spending his weekend alone, with all the (way too) close-ups and entrancing textures that are the visual hallmarks of Sar’s comics. All this and a beach barbecue bonus for true believers. Have yourself some quality me-time with Sequential Vacation 2.
32 pages. Black and white. 5" x 6 1/2". 2013.
A pdf preview can be found here.
While both Sleeper Car and The Understanding Monster, which the New York Times’ Douglas Wolk described as “imagination turned up to fire hose intensity,” are works of fiction, Capacity has always been a true story. This latest installment is no exception. As Theo Ellsworth would tell you, everything really happened – in his mind. If you’re familiar with his comics, you know that you’re going to be part of the proceedings as well, or as the Village Voice wrote: “Ellsworth seeks, again and again, to transform the reader into his silent witness and co-conspirator.” He’s done it again with Capacity 8.
40 pages. 6" x 9". Black and white with color cover.
Download a preview here.
96 pages. Black and white with full-color cover. 7 3/8" x 7 1/2".
5 1/2" x 8 1/2". 32 pages. Black and white with color cover. 2013.
5 1/2" x 8 1/2". 32 pages. Black and white with color cover. 2013.
7" x 8 1/2". 56 pages. Black and white with some color. 2012.
7" x 8 1/2". 48 pages. Black and white with some color. 2011.
@DandQ This is amazing! Best comics publisher site of all time. Maybe you should get artists for the other letters in the alphabet now.
- Friday Aug 8 - 5:01pm
@realasianfriend It's all for YOU! But, really, thanks; we needed that!
- Thursday Aug 7 - 10:09pm
ZOMG! It's Tim O'Neil for the Onion AV Club on Corinne Mucha's Get Over It! and it's a pretty darn good review, too. Tim's clearly on top of his comics game, name-dropping and comparing Corinne to none other than Kate Beaton, John Allison and Dylan Horrocks - pretty much a Mt. Rushmore of the medium. He gets it right; Corinne hits every bump on Heartbreak Road, ever stage of grief, but all told, it's actually kind of... ...fun? As Tim puts it, she "turns a book about three years of anguish into a page-turner." There IS something fun about being heartbroken, and not just the rebound. It's like a license to crazy. At least we think so. There's lots of other good stuff reviewed here, too, including Rocket Raccoon's latest, Superman and Roman Muradov (love that guy). Corinne's got some good company for Get Over It! Thank you, Tim, and thanks, AV Club, for the very kind words. You guys go read now at the link!
We are outta here! Or at least will we be in the morning. Actually, the very early morning. Sigh. But we're going to the Rhode Island Independent Publishing Expo aka RIPE! This is our first time at the show. It's also the first time FOR the show. RIPE is brand new and the brainchild of some folks we truly adore, like Mickey Z, who roped us into going way back when at the last Comic Arts Brooklyn. Yes, it is suspicious that there's a comic show in the dead of summer called RIPE. We've stopped showering and wiping for the occasion. Kidding. At our table will be Brendan Leach, of Iron Bound fame, and Sean Ford, he who has brought you Only Skin. Not only will Sean have the new and improved edition of Only Skin, he will have the fourth, yes, FOURTH issue of his new series, Shadow Hills. Playing the role of Secret Acres comics mule on the ride up will be Dave Nuss of Revival House Press, home of folks like Malachi Ward. It's a star-studded event and we don't even have to worry about crossing any borders! Doors are at noon and details are at the link below. If you're in Providence now, there's all kinds of stuff happening tonight, too. We will see you tomorrow...
The thing about Mike Dawson's newest graphic novel, Angie Bongiolatti, is that it's daunting at first glance but kind of impossible not to identify with its characters. Well, you could somehow not identify with them, and that's your right, but you'd probably be completely insane. Rob Kirby, writing for the Comics Journal, writes about Angie Biongiolatti so well, that he might just be the ideal reader for this one. He's sensitive, empathetic, politically conscious and he likes to party. He also nails Angie, the character, who can come across as enigmatic or aloof, but it's her faith and her clarity, as Rob puts it (and we're paraphrasing), that make her the best barometer ever for the most difficult of times and the craziest of people. The key, though, is Rob writing that he knows these folks and he's partied with them. It would have been a lot easier for Mike if he'd had an agenda when he drew these people. Yeah, we might have recognized the ideas, but maybe we wouldn't have recognized these people. Poor Rob! He's one of THEM! Thanks, TCJ, and Rob, especially. This was a really good one.
Well, folks, Edie Fake has arrived! This newest LA native gets a very warm welcome indeed from Joshua Michael Demaree at the LA Review of Books. It's both a full-blown interview, a complete history and in depth review of Memory Palaces, Edie's latest and our first ever art book. If you're worried about Edie going Hollywod, go ahead and worry since Demaree has christened him a "flourishing celebrity." At least, he's a flourishing celebrity in the queer art world. There's some stuff in here that rarely gets discussed, including Edie's background as a video artist and the influence of that medium on his comics work. We even get a mention in the story of how we met Edie, which almost didn't happen. Plus, and this was news to us as well, Edie's return to Chicago (after "going feral") coincided with the death of Michael Jackson. But was it a coincidence? Thank you, Joshua, for all your super thoughtful work here (and for making another dream come true and writing up a Secret Acres book for the LA Review of Books). Go and read this very funny and very serious career retrospective right now!