THIS is not your father’s MoCCA. It was better than last year but not all the way there. If it were, we’d be telling you about all the cool stuff we found at MoCCA. There was cool stuff, sure, and we spent too much money (thank you, Lisa Hanawalt for having such beautiful original art). We picked up Eschew 2, got our copies of Bodyworld signed and grabbed all the new stuff at Dongery, too – but we did not find anything at the show.
Simply put, MoCCA is too fucking expensive, for the exhibitors and the fans. We may be publishers, but the point of the show for us, as people who love comics, is to discover new comics. Are there still Minty Lewises, Jamie Tanners or even a Justin DeCarlo or two at MoCCA? Yes, but they sure as hell aren’t there in the same numbers, and if they’re around at all, they’re ganged up to cover the table costs. There’s just no way to make your money back as a cartoonist with a mini. And, no, MoCCA, the exposure isn’t worth it if you need that money – and most cartoonists do need every penny they have.
Attendance was clearly down this year, but we made much more money than we did last year. The people coming to the show at the Armory are coming there to buy comics (and we love you for it), but not to discover comics like the walk-ins of the old Puck Building. If you’re going to limit the audience to the hardcore by the Armory move, then, for the love of Benji, expand the show. It shouldn’t be strictly about D&Q, Fanta, Secret Acres and the publishers above and in-between. Nor should it be for people with their character platform multi-media crap and huge banners in comic sans fonts and Photoshop gradients, hoping Disney’ll notice and not giving a shit how much money they lose.
MoCCA ought to take a page from the new guy, BCGF. Let people in free, or cheap at least. Consider who gets table space. Have a sliding scale. Pantheon can pay $500 a table, no problem, but make a section for the little guys. And not the crappy little guys, either. Invite folks. Turn some others down. Make it an arts festival proper.
So. If you’re making minis and they are good, send them to us. We will probably agree that they are good and maybe we can sell them on our site and put them on our MoCCA 2011 table. And, maybe next year, if you’re around, we can get you a little table time at our place. If we can’t discover you at the show, maybe we can give other people a chance to do so and maybe it’ll be a little more fun, a little more MoCCA, for everyone.
We’re deeply grateful to all the people who came to our table. We’re very proud of Curio Cabinet and all of you who picked it up at the show have probably figured out why by now. We couldn’t help but beam at the all the folks who came by to congratulate our man Ken Dahl on his Eisner nom for Monsters. You can’t imagine how much encouragement we take from folks telling us that they like our books. This is a new thing for Secret Acres, to have actual fans of the house. It’s enough to keep us publishing and keep us coming back for more. We can whine, yes, but an even better MoCCA depends less on the museum folks and more on all of us behind the tables and walking the aisles.
Leon and Barry
@TribeXX Between this and Mr. Met's bare ass, you are on a roll today.
- Tuesday Mar 11 - 5:23pm
@HeyAnnieMok There must be a list someplace. Meaning: make a list, please, Annie.
- Wednesday Mar 5 - 9:03pm
@HeyAnnieMok YES HE IS. (jk)
- Wednesday Mar 5 - 9:02pm
@TribeXX They are indeed!
- Wednesday Mar 5 - 3:50am
"That sounds like fun! The front..." on their own link.
At last, our first post-con post of the year on our first trip ever to the LA Zine Fest. Short version: it rocked. The LAZF is not strictly a comics show, but it sure felt like one. There were lots of unfamiliar faces, which is refreshing, since it meant there were people who weren't sick of us yet. Quite the opposite, we were welcomed with open arms. Also, when you grow up in New York, you are sort of trained to hate Los Angeles. Despite the lines around the block to pet Shia LaBoeuf, hating on LA seems silly now. Obviously, we should all hate San Francisco instead. Alas, there was plenty we didn't get to do in LA, but we did party with some of our old friends, who have gone all Hollywood, hanging out at celebrity bat mitzvahs and stuff. Speaking of parties, we've got the first bits of news on our MoCCA Fest related shenanigans in this here post - and you're invited! But more on that later. Go on, read up already.
Hi there! Just wanted to tell you to look for us at MoCCA FEST!. Great stuff here!
It's been a long, long time. Actually, going by the length of our usual winter hibernation, we're up early on our Scuttlebutt blog. We have a good reason, though! We are headed out to Los Angeles, aka LA, for the LA Zine Fest! It's our first trip to that show and our first west coast trip in forever (if you don't count Seattle's Short Run shows, but is that really the west coast if there's no rap battles of yore there?). It seemed like a good idea at the time, but we're still rockin' our winter fat and it's like eighty degrees or something over there. No matter, we have Sar Shahar, of Sequential Vacation, joining us, along with Special Guest Damien Jay! We've also got a first ever peek at some new stuff by Sean Ford and Edie Fake, and, finally, the new kid, Corinne Mucha, has her very own page. No more sausage party at Secret Acres. We'll back for the LAZF wrap up next week, promise. Now off to Lalaland...
WOWOWOW, this is fantastic! It's an Edie Fake MOVIE! Pardon our freaking out; it's with good reason. The Comics Journal is currently hosting a short documentary called Rad Queers: Edie Fake. It was made by Graham Kobleins, who will now be enjoying eternal favored nation status with us, whether Graham knows it or not. Anyhow, Edie talks about Gaylord Phoenix, of course, but we also get Shannon Michael Crane from Printed Matter talking about their now decade long relationship, and Thomas Robertello, whose gallery held the legendary Memory Palaces show - which will soon be coming to you as the very first Secret Acres art book. So artsy! The real reason you have to watch this is because Graham and Edie walk through Chicago and drop the (sometimes real, sometimes imaginary, but always gorgeous) Memory Palaces buildings right over their actual Chicago streets! Seriously!