THIS is not your father’s MoCCA. It was better than last year but not all the way there. If it were, we’d be telling you about all the cool stuff we found at MoCCA. There was cool stuff, sure, and we spent too much money (thank you, Lisa Hanawalt for having such beautiful original art). We picked up Eschew 2, got our copies of Bodyworld signed and grabbed all the new stuff at Dongery, too – but we did not find anything at the show.
Simply put, MoCCA is too fucking expensive, for the exhibitors and the fans. We may be publishers, but the point of the show for us, as people who love comics, is to discover new comics. Are there still Minty Lewises, Jamie Tanners or even a Justin DeCarlo or two at MoCCA? Yes, but they sure as hell aren’t there in the same numbers, and if they’re around at all, they’re ganged up to cover the table costs. There’s just no way to make your money back as a cartoonist with a mini. And, no, MoCCA, the exposure isn’t worth it if you need that money – and most cartoonists do need every penny they have.
Attendance was clearly down this year, but we made much more money than we did last year. The people coming to the show at the Armory are coming there to buy comics (and we love you for it), but not to discover comics like the walk-ins of the old Puck Building. If you’re going to limit the audience to the hardcore by the Armory move, then, for the love of Benji, expand the show. It shouldn’t be strictly about D&Q, Fanta, Secret Acres and the publishers above and in-between. Nor should it be for people with their character platform multi-media crap and huge banners in comic sans fonts and Photoshop gradients, hoping Disney’ll notice and not giving a shit how much money they lose.
MoCCA ought to take a page from the new guy, BCGF. Let people in free, or cheap at least. Consider who gets table space. Have a sliding scale. Pantheon can pay $500 a table, no problem, but make a section for the little guys. And not the crappy little guys, either. Invite folks. Turn some others down. Make it an arts festival proper.
So. If you’re making minis and they are good, send them to us. We will probably agree that they are good and maybe we can sell them on our site and put them on our MoCCA 2011 table. And, maybe next year, if you’re around, we can get you a little table time at our place. If we can’t discover you at the show, maybe we can give other people a chance to do so and maybe it’ll be a little more fun, a little more MoCCA, for everyone.
We’re deeply grateful to all the people who came to our table. We’re very proud of Curio Cabinet and all of you who picked it up at the show have probably figured out why by now. We couldn’t help but beam at the all the folks who came by to congratulate our man Ken Dahl on his Eisner nom for Monsters. You can’t imagine how much encouragement we take from folks telling us that they like our books. This is a new thing for Secret Acres, to have actual fans of the house. It’s enough to keep us publishing and keep us coming back for more. We can whine, yes, but an even better MoCCA depends less on the museum folks and more on all of us behind the tables and walking the aisles.
Leon and Barry
@DandQ This is amazing! Best comics publisher site of all time. Maybe you should get artists for the other letters in the alphabet now.
- Friday Aug 8 - 5:01pm
@realasianfriend It's all for YOU! But, really, thanks; we needed that!
- Thursday Aug 7 - 10:09pm
ZOMG! It's Tim O'Neil for the Onion AV Club on Corinne Mucha's Get Over It! and it's a pretty darn good review, too. Tim's clearly on top of his comics game, name-dropping and comparing Corinne to none other than Kate Beaton, John Allison and Dylan Horrocks - pretty much a Mt. Rushmore of the medium. He gets it right; Corinne hits every bump on Heartbreak Road, ever stage of grief, but all told, it's actually kind of... ...fun? As Tim puts it, she "turns a book about three years of anguish into a page-turner." There IS something fun about being heartbroken, and not just the rebound. It's like a license to crazy. At least we think so. There's lots of other good stuff reviewed here, too, including Rocket Raccoon's latest, Superman and Roman Muradov (love that guy). Corinne's got some good company for Get Over It! Thank you, Tim, and thanks, AV Club, for the very kind words. You guys go read now at the link!
We are outta here! Or at least will we be in the morning. Actually, the very early morning. Sigh. But we're going to the Rhode Island Independent Publishing Expo aka RIPE! This is our first time at the show. It's also the first time FOR the show. RIPE is brand new and the brainchild of some folks we truly adore, like Mickey Z, who roped us into going way back when at the last Comic Arts Brooklyn. Yes, it is suspicious that there's a comic show in the dead of summer called RIPE. We've stopped showering and wiping for the occasion. Kidding. At our table will be Brendan Leach, of Iron Bound fame, and Sean Ford, he who has brought you Only Skin. Not only will Sean have the new and improved edition of Only Skin, he will have the fourth, yes, FOURTH issue of his new series, Shadow Hills. Playing the role of Secret Acres comics mule on the ride up will be Dave Nuss of Revival House Press, home of folks like Malachi Ward. It's a star-studded event and we don't even have to worry about crossing any borders! Doors are at noon and details are at the link below. If you're in Providence now, there's all kinds of stuff happening tonight, too. We will see you tomorrow...
The thing about Mike Dawson's newest graphic novel, Angie Bongiolatti, is that it's daunting at first glance but kind of impossible not to identify with its characters. Well, you could somehow not identify with them, and that's your right, but you'd probably be completely insane. Rob Kirby, writing for the Comics Journal, writes about Angie Biongiolatti so well, that he might just be the ideal reader for this one. He's sensitive, empathetic, politically conscious and he likes to party. He also nails Angie, the character, who can come across as enigmatic or aloof, but it's her faith and her clarity, as Rob puts it (and we're paraphrasing), that make her the best barometer ever for the most difficult of times and the craziest of people. The key, though, is Rob writing that he knows these folks and he's partied with them. It would have been a lot easier for Mike if he'd had an agenda when he drew these people. Yeah, we might have recognized the ideas, but maybe we wouldn't have recognized these people. Poor Rob! He's one of THEM! Thanks, TCJ, and Rob, especially. This was a really good one.
Well, folks, Edie Fake has arrived! This newest LA native gets a very warm welcome indeed from Joshua Michael Demaree at the LA Review of Books. It's both a full-blown interview, a complete history and in depth review of Memory Palaces, Edie's latest and our first ever art book. If you're worried about Edie going Hollywod, go ahead and worry since Demaree has christened him a "flourishing celebrity." At least, he's a flourishing celebrity in the queer art world. There's some stuff in here that rarely gets discussed, including Edie's background as a video artist and the influence of that medium on his comics work. We even get a mention in the story of how we met Edie, which almost didn't happen. Plus, and this was news to us as well, Edie's return to Chicago (after "going feral") coincided with the death of Michael Jackson. But was it a coincidence? Thank you, Joshua, for all your super thoughtful work here (and for making another dream come true and writing up a Secret Acres book for the LA Review of Books). Go and read this very funny and very serious career retrospective right now!