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Beyond the Sea

HELLO, everyone! We’re sending you off on your Memorial Day weekend (all you non-Americans can remember whatever you like as we Americans have friggin’ amnesia when it comes to our own history, anyway) with a little treat. This is our very first guest blogger here on Scuttlebutt and it is none other than Sean Ford, he of Only Skin fame. Sean and fellow Acre, Joseph Lambert went all the way to the Maine Comics Arts Festival without us and volunteered to report on the scene. He even provides photographic evidence! Take it away, Sean:

 

MECAF RECAF

Last weekend, fellow Secret Acres artist Joseph Lambert and I went up to Maine for MECAF with good pals Charles Forsman, Melissa Mendes and Becca Lambert. Mosley Lambert stayed home to guard things. It was the third show in four weeks for some of our merry band, myself included, so road-weariness and poop jokes were in healthy supply.

 

 

My first stop on a whirlwind weekend tour of New England was to Chuck and Melissa’s idyllic Hancock, MA home. There I saw the amazing drawing studio they’ve set up and met Bruce, the chillest cat in the land. They have an amazing house that seems like the perfect place to draw and create awesome comics. And, of course, that’s just what they do. It makes sense. I also learned that Chuck’s cartooning prowess is matched only by his tortilla-making abilities. I didn’t take any pictures of this wonderful place and pictures wouldn’t do it justice anyway.

 

 

The next day, after a short morning walk in the woods, we drove up to White River Junction to meet the Lamberts. We took some windy back roads that I’d never taken before, driving through some beautiful Massachusetts and Vermont country with the windows down. We drove pretty close to the Bennington Triangle, which made me happy. We arrived in Vermont mid-afternoon and after sharing some smells with Mosley (Joe and Becca’s charming wolfboydog) we set out for Maine. The drive to Maine was uneventful, unless you count singing songs and fixing cars with gaffer’s tape.

 

 

On arriving in Maine, after deciding not to spend too much time in our uh… modestly outfitted (read: ‘a mix of dog and human pee and hair smell’) Motel 6 room we decided to investigate downtown Portland, Maine. We knew there had to be a MECAF-related party going on, we were just really bad about finding it. We got beers and nachos and ice cream instead.

 

 

The next day was MECAF. The show takes place in a wonderful building that is all glass and views of the harbor. Everything about the show was top notch – a beautiful, well organized space, cool panels, and friendly, helpful volunteers – they even had the option to order sandwiches for lunch that were hand-delivered by show-organizer and Casablanca Comics owner Rick Lowell. I missed that particular sammie boat, but that just seems really thoughtful. The show never felt particularly crowded (though Kate Beaton definitely had a long line), but it never felt empty, either. As people have said, it certainly felt like a kids-friendly show; there was even a 10-yr old selling his own drawings at his own table – and he was busy! And good! But there were certainly people interested in Secret Acres books, Sundays, Joe’s prints, Chuck’s The End of The Fucking World and Melissa’s Freddy Stories and Lou comics.

 

 

And that’s where it got interesting for me. I don’t know if this was the case, so forgive the speculation, but my sense was that most of the people who stopped by the SA table hadn’t heard of Secret Acres before and were willing to try out something new. Capacity caught a lot of eyes. As did PS Comics, I Will Bite You! and Only Skin. It seemed like the crowd at MECAF often didn’t come expecting to lay out money for bigger books, at least not past Hark! a Vagrant and the Amulet books, and so were caught off guard by the presence of Secret Acres and a $20 book like Capacity. But there were several distinct occasions where people found a book on the table, flipped through it for a while, put it down, picked it back up and then said “I have to get this, I’m going to find an ATM.” Usually someone saying they need to find an ATM at a comics show is code for “thanks, but no thanks,” but a lot of these folks actually came back with money in hand and picked up the books that had caught their eye. It is a really cool and rewarding feeling to help someone discover a book they knew nothing about. It felt like finding some of that Blue Ocean we talked about after TCAF. It also reminded me of Dylan Williams’ call for building communities at smaller regional shows. That’s exactly what MECAF was. And I think there is a potential to build something there for anyone willing to put in the time. Joe has been to three out of four MECAF shows over the years and has clearly built up an audience at the show. He wasn’t selling like gangbusters or anything, but he seemed to do quite well and run into a bunch of people who knew his work and were happy to see him again.

 

 

That’s what MECAF felt like – a small, smartly run show that can act as a platform for individual artists or small publishers to build an audience, helped by a beautiful location and good organization. It might be the sort of show an artist or small publisher needs to help carve out their place within, but that’s an exciting place to be in comics.

 

 

After the show we grabbed some pizza with the amazing Jose Luis Olivares, who had taken the bus up from Boston to say hi (sadly he didn’t bring his comics!) and then hit the road back to Vermont, Massachusetts and New York, having found some Blue Ocean and sung some Billy Ocean. We sing when we’re happy and MECAF had us singing. Thanks to everyone who made it a great weekend, from Rick Lowell’s awesome crew to intrepid customers willing to take a chance on something new to great great great old pals.

- Sean Ford

 

Now go and remember something! We’ll be back shortly with Emporium delirium, a CAKE recipe and a Weather report.

Your Pals,

Barry and Leon and Sean

 

One Comment

  • KellyP says:

    What a nice post! I really enjoyed MeCAF also and was very pleased to see the Secret Acres stuff there. Picked up Only Skin, looking forward to it.

    Reply

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Secret Acres
October 10, 2014 at 3:48 pm

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Secret Acres
Facebook IconOctober 9, 2014 at 4:43 pm

It's that time of year again! The Best American Comics 2014 edition is out there and there are plenty of folks, like the Comics Reporter's Tom Spurgeon and the Stranger's Paul Constant calling this book the best of the series so far. It's the first time out for new series editor, Bill Kartalopoulos, and it has a new format of sorts, devised by edition editor, Scott McCloud, of Understanding Comics and Zot fame. McCloud groups the main selections, making a map of the current comics landscape. Broader than previous installments, it includes specific instructions to read the entire book, rather than browse through it - and you should do just that. Our very own Theo Ellsworth's the Understanding Monster Book One is included in the section titled EVEN STRANGER ADVENTURES (of course), and there are FOUR Secret Acres artists in the BAC Notable Comics section: Eamon Espey's Songs of the Abyss, Edie Fake's story from Monster Vol. 1, Robert Sergel's Eschew 3 and Sar Shahar's Sequential Vacation 2. Not bad, huh? We've got Bill K's blog post below, but you'll want to sit and read this one cover to cover. Thanks, Bill and Scott for all your hard work and congratulations on putting a great anthology together!

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Bill Kartalopoulos | on-panel.com

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Contents and Notable Comics from The Best American Comics 2014, posted by Series Editor Bill Kartalopoulos

Secret Acres
Facebook IconSeptember 24, 2014 at 2:58 pm

And Theo Ellsworth's the Understanding Monster Book Two has its very first ever review, from RE:Views Media's Max Szyc! It's a rare thing that a review makes us laugh out loud, or LOL, as the kids say. If you've read the first book of the Understanding Monster, you'll understand that reading doesn't begin to describe the experience of this story. The logic of this world, like most psychedelics, takes a minute to kick in. Like Max says, "A few more pages and then I think my mind may have reached some sort of subconscious arrangement with the material, meaning I think I 'got it'. Perhaps the book is so futuristic that it actually has the psychic power to make me think I’m understanding it." Cue us giggling. It is a long, strange trip indeed for toy mouse-bodied Izadore and his consciousness, but the sheer force of Theo's art will move you along with him. You may even start to identify with him. You can thank Max for capturing these feelings so well by reading his review. Thanks, Max!

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The Understanding Monster – Book Two

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A review of Theo Ellsworth's "The Understanding Monster: Book Two."

Secret Acres
Facebook IconSeptember 17, 2014 at 2:15 pm

We survived yet another Small Press Expo. This is no mean feat. Between the thousand deep gang of exhibitors and the crush of so many attendees, it's a wonder we're still standing. Credit Corrinne Mucha for pulling us through. In the absence of Theo Ellsworth (DNP - Fatherhood), Mike Dawson (DNP - Bachelor Party) and Brendan Leach (DNP - Get well soon!), Corinne sketched out everybody's books. We mean everybody's. Even Sean Ford's books. And Sean was there. Secret Acres made bank, yes, but we hardly got to see anybody, or so it felt. This might explain how we escaped the con crud which is laying so many folks out after SPX. This year's show was really all about the Breeders, meaning the band, not folks making babies. Corinne, you see, had not heard of the Breeders. We can see not having heard of, say, U2. But the BREEDERS? COME ON. Also, fair warning, we don't dare dish on our SPX 2014 Celebrity Comics Mule, Tucker Stone. In fact, we're terrified of what he must be saying about us right now. Check out the blog, and you can also get some details on this Sunday's event, the Brooklyn Book Festival! It's going to be a star-studded affair at the Secret Acres-Koyama Press megatable...

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THE MOUTH of Tucker Stone damn near swallowed us whole on the ride down to this year’s Small Press Expo. We are hereby awarding him an Ignatz Brick for Outstanding Shit-Talking Comics Mule. Who knew Nobrow was so gangsta? We appreciate it, Tucker; you were the best consolation for us being down a ma…

Secret Acres
Facebook IconSeptember 10, 2014 at 12:38 pm

OKAY. Summer's over and we're heading back to school, or at least back to our Scuttlebutt blog. It's been a while and a half, but we've been busy, sitting by the pool, giggling, eating watermelon. Included in this post is a rundown of our trip to RIPE, our first ever internet kerfuffle, SPX news and switcheroos, and one rather ridiculous Secret Acres baby boom. Boy, oh, boy are we looking forward to SPX. We know we promised you the second volume of Theo Ellsworth's the Understanding Monster. The good news is that the book WILL be at the show and it will be beautifully sketched and signed. The bad news is that Theo is skipping out - but he'll be coming out to Comics Art Brooklyn to officially debut his new book. He has a a good reason (note the mention of a baby boom above). We do, however, have Sean Ford, Eamon Espey and Corinne Mucha coming to comics camp with us and they will armed with new minis, prints and even little paintings. Our guest comics mule for the road trip will be Tucker Stone, so we'lll have plenty of gossip to dish when we get back. You get yourself to SPX! See you this weekend...

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FIRST THINGS FIRST: Secret Acres had a grand old time at RIPE, the Rhode Island Independent Publishing Expo, which really should be RIIPE, but who’s counting? Dave Nuss, smooth operator of Revival House Press was our celebrity comics mule and neighbor at the show. We would like him to be our neighbo…

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