IT FEELS LIKE it’s been a thousand years since we last spoke. This is probably because so much has been going on. Worlds have changed. Universes have collided. We’ve got a ton of stuff to tell you, so there won’t be much editorializing (since we kind of blew our bitchy wad on the last post). Besides, you know we’ll deliver the dirt after the Big Show.
Speaking of the Big Show, it’s the most wonderful time of the year for us artsy comics folk. Yes, it is the Small Press Expo once again. If you want to see what the comics community looks like, get yourself down to Bethesda this weekend. Bethesda is definitely not the most obvious locale for the spiritual pursuit of comics, but it is home to the Marriott, aka Comics Camp. Once you’re there, there is no escaping. This will be our fifth SPX. Our fourth was both our most glorious moment as publishers and our most harrowing. Who can say what this one will bring?
Well, we can say. We’re bringing The Understanding Monster, the new book from Theo Ellsworth. It’s a departure for just about everybody. If you’ve never experienced Theo’s work before, you’re in for a shock. You’re in for a shock even if you’ve read everything he’s done. This will be the first full-length fiction comic from Theo. It’s also the first volume of three. You’ll be getting one a year. We’re breaking new ground here, as well. It’s our first hardcover and our first full-color book. Did we mention how big this thing is? It’s big. It will take you a while to get everything that’s in it out of it. The Understanding Monster is a trip.
Also making the trip to SPX will be Wayward Girls 2. Michiel Budel has been pushing the limits with his comic since he got started. The first issue nearly got us jail time. In this second installment of Wayward Girls, the stories have gotten a little longer and more developed, but no less dangerous. We’re grateful that we don’t need to stop at customs to bring this to you.
While we did okay at SPX’s Ignatz Awards last year (meaning we cleaned the fuck up), we are extremely proud that our resident All-American Boy Scout, Mike Dawson, has gotten yet another nod, this time for Outstanding Graphic Novel, for his rightfully ubiquitous Troop 142. We need your vote, fellow countrymen. Stuff those ballot boxes. Vote early and often. Disenfranchise the competition if you have to, because if Mike wins this one, he has personally guaranteed he will cry. Okay, he didn’t cry the last time Troop 142 won an Ignatz, but we promise to wax his nipples if he fails to squirt a few on this go. Besides, this book deserves it. For full disclosure, our lady of the Acres, Minty Lewis, and our man with a plan, Edie Fake, were on the nominating committee. We’re extra proud of them, too, because all the nominations are pretty badass.
You can find the Acres gang on three different panels this year. Mike will be moderating “Drawing Out Childhood,” with guests (and old pals) Julia Wertz, Derf Backderf, John Porcellino and MariNaomi. Theo will be joined by Michael Deforge, Jim Rugg and Hellen Jo for “Drawing Energy.” Finally, yours truly will be under fire from Heidi MacDonald, aka the Beat, but at least we’ll be sitting with Box Brown, John Porcellino (he’s everywhere and all over) and the Greatest of All Time, Annie Koyama (she hates that kind of praise, but we love her, anyway) – and this thing is called “Publishing During the Apocalypse.” Not a joke.
There’s been plenty of other stuff happening in the meanwhile. Sean Ford has been feeling the love for his Only Skin from IndieReader‘s Sarah Morean (If you don’t know who she is, look her up. We’ll wait.). Edie got a shoutout from the awesome Bitch Magazine. Gabby Schulz, the former Ken Dahl, was the recipient of some seriously glowing praise from Comics Bulletin for Monsters (which has to be the longest wait for a review we’ve ever seen). Mike got in trouble with Trouble With Comics, and his Ink Panthers Show! had one of their best spots ever with episode 142 (no relation to Troop 142), “The Voyage Home.” Theo had himself a big exhibit at Giant Robot, an enormous interview at Newsarama, and you can even see a preview of the rather large The Understanding Monster on the Beat.
If you’re in New York City or somewhere else but have the means to get to Brooklyn, you owe it to yourself to make the trip this Thursday night. Theo’s going to be signing The Understanding Monster at Brooklyn’s own Bergen Street Comics. The beer and bubbly start flowing at 8PM, so make sure you eat first. Get there on time, and you just might get one of these Theo-drawn Cubeecraft dolls (Assembly required, but, come on, look at that thing.).
Here’s something we’ve been very quiet about: on September 7th, 2012, Secret Acres turned five years old. We owe all of you, badly, for carrying us this far. We will do our best to live up to your support for many more years to come.
Sometime before our fifth, we got the keys to our first office. Secret Acres, named after a house that is no longer with us, is a place again. We’ve got .00390266 acres to be precise. It’s nice to have a home. But we’ve got to hit the road. See you in a bit.
Barry and Leon
@seanonlyskin But DUDE, it's CREATOR OWNED Thor with a PENIS, BRO!
- Wednesday Jul 23 - 10:22pm
@ryancecil PHEW. We're 2 old 2 code over here.
- Wednesday Jul 23 - 5:48pm
The thing about Mike Dawson's newest graphic novel, Angie Bongiolatti, is that it's daunting at first glance but kind of impossible not to identify with its characters. Well, you could somehow not identify with them, and that's your right, but you'd probably be completely insane. Rob Kirby, writing for the Comics Journal, writes about Angie Biongiolatti so well, that he might just be the ideal reader for this one. He's sensitive, empathetic, politically conscious and he likes to party. He also nails Angie, the character, who can come across as enigmatic or aloof, but it's her faith and her clarity, as Rob puts it (and we're paraphrasing), that make her the best barometer ever for the most difficult of times and the craziest of people. The key, though, is Rob writing that he knows these folks and he's partied with them. It would have been a lot easier for Mike if he'd had an agenda when he drew these people. Yeah, we might have recognized the ideas, but maybe we wouldn't have recognized these people. Poor Rob! He's one of THEM! Thanks, TCJ, and Rob, especially. This was a really good one.
Well, folks, Edie Fake has arrived! This newest LA native gets a very warm welcome indeed from Joshua Michael Demaree at the LA Review of Books. It's both a full-blown interview, a complete history and in depth review of Memory Palaces, Edie's latest and our first ever art book. If you're worried about Edie going Hollywod, go ahead and worry since Demaree has christened him a "flourishing celebrity." At least, he's a flourishing celebrity in the queer art world. There's some stuff in here that rarely gets discussed, including Edie's background as a video artist and the influence of that medium on his comics work. We even get a mention in the story of how we met Edie, which almost didn't happen. Plus, and this was news to us as well, Edie's return to Chicago (after "going feral") coincided with the death of Michael Jackson. But was it a coincidence? Thank you, Joshua, for all your super thoughtful work here (and for making another dream come true and writing up a Secret Acres book for the LA Review of Books). Go and read this very funny and very serious career retrospective right now!
We do realize it's all Corinne Mucha and all Get Over It! all over all the time these days, but we just had to share our joy over this latest rave from Joseph Erbentraut at the Huffington Post! Yes, that Huffington Post. Complete with an actual excerpt, Joseph gives a brief rundown of the rules regarding breakup recovery times, citing scientific studies and How I Met Your Mother, no less. We're not entirely sold on the sciences here, mostly because the science of love seems to make everyone feel bad for being insane. Let's face it, love is not just blind, but very stupid. As for HIMYM, we're playing catch up with that one, but their rule seems to fit pretty well. However, if you want the real, straight up survival guide to heartbreak, look no further than our Ms. Mucha. SHE KNOWS. Thanks, Joseph and HuffPo! Have a look at the link below.
Hooo boy... WELL. Corinne Mucha is not shy with the Philadelphia Inquirer, it seems. Tirdad Derakhshani, talking about Corinne's new book, Get Over It!, asks the ever important question when it comes to autobiocomics: did that REALLY happen? And, to quote Corinne, "I didn't add or make up anything." Really, one would hope that in the making of comics, the finest medium there is, about one's actual life, that the cartoonist behind them would be brutally honest. Get Over It! is surely that. Let's face it, heartbreak is ugly as love is beautiful. And who the hell would be able to identify with a clean breakup? Does that even happen? Our favorite part of this Inquirer inquiry is the origin story that sneaks its way in. No, Corinne wasn't super into Wolverine as a kid. She wanted to be a REAL artist. The comics all started by accident, it seems, in Rome. Like Rome, Italy. Also, speaking of the other half of the (not in) love story of Get Over It! you can get That Guy's reaction to the book here, too. In other words, you pretty much have to read this.
ICYMI, as the kids say, here at last (after some more technical difficulties - and, yes, between this and our Friday night love-in at Bergen Street Comics being rained out, we are having technical difficulties galore) is Tom Spurgeon, aka the Comics Reporter, doing his Sunday Interview thing with Mike Dawson. As we can attest, these interviews are a lot of work, and require a ton of thought, so count yourself lucky that Mike is a thoughtful guy. There's plenty of shoptalk here, lots of stuff on process and the like. Angie Bongiolatti, Mike's latest graphic novel from us, was a long time in coming. There are plenty of ideas in this book, though, in a sense, it's about one thing and a certain time and place and age in post-9/11 New York. There was a lot of experimentation involved in finding a style that would both corral and express the ideas and move the narrative along, too. After all this, there was a lightning quick turnaround, with Mike finishing the book in January and us getting books printed by April. Angie Bongiolatti is catching up with its audience about now. Meanwhile, Mike has been all over the place, on tumblr, on Slate, on TCJ Talkies, and Tom has Mike talking about the future quite a bit, too. If you like Big Questions for cartoonists, this is a good place to be. As for Angie Bongiolatti, well, ask Mike says, " I think people just sort of have to read it." So go read it!