CAKE had us at hello. CAKE means never having to say you’re sorry. Here’s lookin’ at you, CAKE. To ruin the suspense off the bat, Secret Acres had a great show at CAKE this year. Sales-wise, it was magnitudes better than our 2013 CAKE (like by 300%, for those of you looking for a number). It was also the first show, ever, where we ran out of stock of damn near everything. We do tend to overpack, yes, but for CAKE 2014, we sold out of almost every title that we brought. We ran out of Memory Palaces so fast, we ended up begging local retailers for copies to sell. This never happens. We don’t get high on our own supply.
Obviously, it helps to have two new books from two hometown heroes, meaning Memory Palaces by Edie Fake and Get Over It! by Corinne Mucha, obviously. Edie, a Special Guest of the Show, had a sliver of table space next to us, so we had two full days of access to him and his hillbilly thermos. Corinne had her own table, too, but once she sold out of her Get Over It!s, she came over and burned through our copies like a true show pro. Mike Dawson didn’t even join us at the table, but he was carving out his own space, hawking Angie Bongiolatti, Troop 142, Freddie & Me and a small army of Heroclix. In short, we were running all the corners in the hood.
Only three of our four boxes made it all the way to Chicago (and our table banners arrived… …yesterday), but all three boxes were waiting on our table when we rolled in Saturday morning, and the CAKE bakers threw in a swag bag, a sharpie and a sketchbook! There were house snacks and water and actual frosted cake. BOTH DAYS. Like our friends in the north beyond the Wall, meaning TCAF, CAKE helped us get our leftover books to local shops so we could skip the hassle carting everything back. The CAKE posse came up with some stuff we’d never seen before, like a CAKE Rewards Program. All the exhibitors got stickers, all the attendees got cards. Buy a comic, get a sticker. Fill the card, win a prize (a CAKE poster)! Great idea. It was new and innovative (and strange) for both the attendees and exhibitors, but maybe it’ll become commonplace. Like at MoCCA or something. (Are you listening, steering committee?) Kinda like MoCCA, CAKE is also sponsoring a self-publishing award called the Cupcake Award, and it’s being guest judged by the ever amazing Annie Koyama. Speaking of amazing, Neil Brideau deserves special thanks for being so stupidly great and mailing us back our banners that we never got to use. Who even does that? Really, who does that? THANK YOU, NEIL BRIDEAU.
Of all the conventions we’ve attended thus far, CAKE 2014 was probably the friendliest crowd. People seemed far less shy about stopping and chatting and asking about our books, our philosophy, our button downs. We are especially happy that Chad, an ardent Theo Ellsworth fan, stopped and chatted with us. Hi, Chad! Sadly, we were not so friendly outdoors in Chicago. We were terrible shut-ins for most of the convention. We’re old, with muscle pains and cardiac woes, but mostly we were just tuckered out from the travel, comics-slinging and day job drama. It’s three shows in eight weeks in two nations and two different time zones and we’re down one Casey Gonzalez. Remember when the Comics Year started in June? Of course not. You’re too young. Or maybe it was because were without Annie, Chris or Matt, our usual compadres, keeping us out, tearing the bark off the trees, howling at the dawn.
We did, however, get to spend some quality time with Tucker Stone, our favorite fashionista, and we got to say hi to other publishing distro peeps like Tom K, Zak Sally, Raighne Hogan, Ed Kanerva and John P. Zak Sally even gave us a rad print he made and is selling here. We scored the 2D collection of the Holden brothers’ zines, Detrimental Information, purchased solely on the basis of its excellent cover image. Brian Cremins’ panel, “Majikomix, Queer Comics and Visionary Cartooning” with our man Edie, Elisha Lim and Eric Kostiuk Williams was a genial, well-attended affair, and genuinely fascinating. It was revealing to see the intersection of symbols, iconography and subject matter of all three cartoonists, but we’re still not sure what “hungry bottom” means (but LOLjk, srsly, we know). We caught up with internet sensation, Canadian exile and recent MFA graduate, Jessica Campbell, who remains one of the funniest people alive – and how did we not know that she shared a house with Corinne Mucha?!? Comics people collect in dark corners, like dust bunnies or lost change. We made new friends (Elisha Lim!) and talked shop with grizzled veterans like L. Nichols, Grace Tran, Kevin Czap (<3 that Czap), Michael DeForge, Greg Means, Sean T. Collins, Sean Christensen, MariNoami, Caitlin McGurk and Marian Runk (who has a supercute new haircut, btw). We copped zines from Anna Bongiovanni, new Koyamas Cat Person and 100 Crushes, and “Don’t Try to Save Me” by Grant Reynolds. Speaking of cats, it’s not an indie comics show without gratuitous expressions of feline admiration, and holy shit, they’re not kidding with the Windy City Kitties. And when it was all over, we gathered on the breezy terrace for cocktails.
As much as we love Chicago, we do think it’s weird that men in Chicago think it’s okay to wear flip-flops everywhere. It is not okay to wear flip flops everywhere. Also, why is every bar a sports bar? Also, why do Chicago dog owners put their dogs inside the fenced green areas with fences meant specifically to keep dogs out? We saw this occur more than five times over the course of our stay. Cognitive lapse or arrogant disregard? We’re just curious. But make no mistake, Chicago understands cinnamon rolls.
Meanwhile, back in the real world, at Bergen Street Comics in Brooklyn this very Friday, Corinne Mucha arrives in New York City on her Get Over It! book tour. Let’s review for a minute, what Bergen Street had to say about our parties…
“As it’s a Secret Acres party, you can rest assured that the evening will be fun for most, embarrassing for some, and doused in the throes of romance for one lucky couple. (Every single Secret Acres party we’ve ever had has resulted in at least one loving relationship, even if said relationship was relatively short termed. Numbers don’t lie!)”
Considering the above, and the subject of Corinne’s book, namely, heartbreak and the long road out of it, we’d like to encourage some comics loving. If you are the lucky two who find one another while pouring the bubbly and pouring over Get Over It! and saying clever, impressive things and blushing this Friday, both of you can have your pick of a book or a print or a mini. We’ll hand one over to each of the first couplers to write us, so if it doesn’t last, there’s no fighting over who got what – and, yeah, pics or GTFO.
While you make yourself all pretty, give a listen to Comics for Grownups where they discuss Angie Bongiolatti then you can just ape everything they say so you seem like you’re seriously plugged into our fine comics world. We’ll back here in a bit with plenty in store for you; don’t worry. As a special treat, here is the glorious cover to Theo Ellsworth’s forthcoming Understanding Monster Book Two:
Barry and Leon
@seanonlyskin But DUDE, it's CREATOR OWNED Thor with a PENIS, BRO!
- Wednesday Jul 23 - 10:22pm
@ryancecil PHEW. We're 2 old 2 code over here.
- Wednesday Jul 23 - 5:48pm
The thing about Mike Dawson's newest graphic novel, Angie Bongiolatti, is that it's daunting at first glance but kind of impossible not to identify with its characters. Well, you could somehow not identify with them, and that's your right, but you'd probably be completely insane. Rob Kirby, writing for the Comics Journal, writes about Angie Biongiolatti so well, that he might just be the ideal reader for this one. He's sensitive, empathetic, politically conscious and he likes to party. He also nails Angie, the character, who can come across as enigmatic or aloof, but it's her faith and her clarity, as Rob puts it (and we're paraphrasing), that make her the best barometer ever for the most difficult of times and the craziest of people. The key, though, is Rob writing that he knows these folks and he's partied with them. It would have been a lot easier for Mike if he'd had an agenda when he drew these people. Yeah, we might have recognized the ideas, but maybe we wouldn't have recognized these people. Poor Rob! He's one of THEM! Thanks, TCJ, and Rob, especially. This was a really good one.
Well, folks, Edie Fake has arrived! This newest LA native gets a very warm welcome indeed from Joshua Michael Demaree at the LA Review of Books. It's both a full-blown interview, a complete history and in depth review of Memory Palaces, Edie's latest and our first ever art book. If you're worried about Edie going Hollywod, go ahead and worry since Demaree has christened him a "flourishing celebrity." At least, he's a flourishing celebrity in the queer art world. There's some stuff in here that rarely gets discussed, including Edie's background as a video artist and the influence of that medium on his comics work. We even get a mention in the story of how we met Edie, which almost didn't happen. Plus, and this was news to us as well, Edie's return to Chicago (after "going feral") coincided with the death of Michael Jackson. But was it a coincidence? Thank you, Joshua, for all your super thoughtful work here (and for making another dream come true and writing up a Secret Acres book for the LA Review of Books). Go and read this very funny and very serious career retrospective right now!
We do realize it's all Corinne Mucha and all Get Over It! all over all the time these days, but we just had to share our joy over this latest rave from Joseph Erbentraut at the Huffington Post! Yes, that Huffington Post. Complete with an actual excerpt, Joseph gives a brief rundown of the rules regarding breakup recovery times, citing scientific studies and How I Met Your Mother, no less. We're not entirely sold on the sciences here, mostly because the science of love seems to make everyone feel bad for being insane. Let's face it, love is not just blind, but very stupid. As for HIMYM, we're playing catch up with that one, but their rule seems to fit pretty well. However, if you want the real, straight up survival guide to heartbreak, look no further than our Ms. Mucha. SHE KNOWS. Thanks, Joseph and HuffPo! Have a look at the link below.
Hooo boy... WELL. Corinne Mucha is not shy with the Philadelphia Inquirer, it seems. Tirdad Derakhshani, talking about Corinne's new book, Get Over It!, asks the ever important question when it comes to autobiocomics: did that REALLY happen? And, to quote Corinne, "I didn't add or make up anything." Really, one would hope that in the making of comics, the finest medium there is, about one's actual life, that the cartoonist behind them would be brutally honest. Get Over It! is surely that. Let's face it, heartbreak is ugly as love is beautiful. And who the hell would be able to identify with a clean breakup? Does that even happen? Our favorite part of this Inquirer inquiry is the origin story that sneaks its way in. No, Corinne wasn't super into Wolverine as a kid. She wanted to be a REAL artist. The comics all started by accident, it seems, in Rome. Like Rome, Italy. Also, speaking of the other half of the (not in) love story of Get Over It! you can get That Guy's reaction to the book here, too. In other words, you pretty much have to read this.
ICYMI, as the kids say, here at last (after some more technical difficulties - and, yes, between this and our Friday night love-in at Bergen Street Comics being rained out, we are having technical difficulties galore) is Tom Spurgeon, aka the Comics Reporter, doing his Sunday Interview thing with Mike Dawson. As we can attest, these interviews are a lot of work, and require a ton of thought, so count yourself lucky that Mike is a thoughtful guy. There's plenty of shoptalk here, lots of stuff on process and the like. Angie Bongiolatti, Mike's latest graphic novel from us, was a long time in coming. There are plenty of ideas in this book, though, in a sense, it's about one thing and a certain time and place and age in post-9/11 New York. There was a lot of experimentation involved in finding a style that would both corral and express the ideas and move the narrative along, too. After all this, there was a lightning quick turnaround, with Mike finishing the book in January and us getting books printed by April. Angie Bongiolatti is catching up with its audience about now. Meanwhile, Mike has been all over the place, on tumblr, on Slate, on TCJ Talkies, and Tom has Mike talking about the future quite a bit, too. If you like Big Questions for cartoonists, this is a good place to be. As for Angie Bongiolatti, well, ask Mike says, " I think people just sort of have to read it." So go read it!