PEOPLE started talking shit the day before the flight out to LA because Winter Storm Leon’s (no kidding) baby brother was about to hit us hard and there was no way we were going anywhere. Sometime around midnight, we got word all flights were being cancelled, including ours, so we unpacked, cancelled the dogsitter and hit up Sar and Damien to let them know they’d be going solo. Then it turned out there was one little flight left willing to brave ten inches of snow. So we packed again and lugged everything through the blizzard to JFK in hardcore snow gear only to land on a beach, in flip flops and shorts, in February. Wearing shorts and flip flops in February is kind of like being a dog in a handbag; you can feel yourself getting softer by the minute.
It must be catching, this Los Angeles disease. We could see the Jawamobile from our balcony. We had some fucking amazing pancakes. We did a little tour of the City of Angels. The mailboxes were dressed up like Spongebob. There was a line around the block for Shia LaBeouf’s idea of art, or maybe it was Jerry O’Connell’s idea of Shia’s idea of art. We were sucking up the Michelin starriness of it all, wandering around in a consumerist trance, until we went to pick up books. One box was still a box of books. The other one, which we took to calling Brokebook Mountain, was some recycling in an official USPS bag. So if anyone was wondering why we had maybe half our titles at the show, there ya go. Looking at you, Spongebob.
As for the show, the LA Zine Fest, it was fantastic. Maybe it was fitting that our big books didn’t make it, forcing us to go all mini all the time. In terms of volume, meaning the number of comics sold, the LA Zine Fest ate everything we could serve. Shorthanded on big ticket items, we couldn’t have broken any dollar records, but even in dollars, we came pretty close to our CAKE total in a single day. In case anyone’s wondering how seriously to take the LAZF as a comics publisher, we would say, “Very very.” The Helms Bakery garage is not your average parking facility. It’s huge and it was packed to the brim, with a kind of energy in line with the likes of CAB. Find a way to get there and go.
But enough business, our haul was pretty killer. As our pal, Nate Bulmer, pointed out, there were more than a few new faces and the familiar names included lots of folks you don’t see too often on our coast. Indie comics would seem to be a bigger deal on the right side of the USA, sure, but it can feel a little insular when you come up to someone’s table whom you just saw at another show two weeks ago and ask them if they have any new stuff, which they don’t because you just saw them two weeks ago, and you can’t ask how they’ve been because you just saw them two weeks ago. Sigh. We picked up great stuff from the new(ish)-to-us Nick Thorburn,Emily Joy, Kid Clampdown, Jason Martin (coming soon to our Emporium), Kevin Uehlein and Sandra Markarian, and from folks who are rarely in the room with us, like the debonair David King, the mysterious Malachi Ward (with a new comic!) and that bastard Tim Hensley. We even met Eric Nakamura the night before, which, for folks like us, is a real honor (plus he likes us!). It’s nice to get the hell out of town for a while.
Nicer still, we got to hang out with Damien Jay for an entire day. It was also his first stint behind a table in years, though he showed not a trace of rust at all, and even has a new mini anthology (also coming to the Emporium) of stuff he’s been up to while (still) working on the Natural World (and moving to LA, and buying a house, and having a baby…). He swears he is going to finish the Natural World. We believe him. Of course, Sar Shahar, one of our gang and favorite people was his usual lovely self, and we got to have dinner with him and Nate and their lovelier boos, while they pitched Lesbocop on our way to catch Robocop. So Hollywood. And Robocop was wack. Should they invite us, we’ll be back at the LAZF every year until we are dead.
Then the flight home got bumped a couple days, so we went to Palm Springs and played mini-golf and had drinks on a freezing mountain top to cool off. If you’re hating us right now, don’t worry, we’re back in New York, enjoying a nice day before we re-enter the polar vortex. The next party is at our house (meaning Bergen Street Comics), for Mike Dawson‘s new book, Angie Bongiolatti, and you’re invited to yet another party for Edie Fake‘s new book, Memory Palaces at the Bureau of General Services Queer Divsion. Say that three times fast. Now you are queer, too.
We’ll be back with the details of the parties and the rest of the Museum of Comics and Cartoon Art Fetival 2014 related activities – including one thing you are not going to believe until you see it, when you will shit brix. That’s a promise.
Barry and Leon and Casey
@ryancecil Sorry, Ryan! There were issues galore with the site, but they appear to be resolved. Emphasis on appear.
- Tuesday Jul 22 - 3:09pm
The thing about Mike Dawson's newest graphic novel, Angie Bongiolatti, is that it's daunting at first glance but kind of impossible not to identify with its characters. Well, you could somehow not identify with them, and that's your right, but you'd probably be completely insane. Rob Kirby, writing for the Comics Journal, writes about Angie Biongiolatti so well, that he might just be the ideal reader for this one. He's sensitive, empathetic, politically conscious and he likes to party. He also nails Angie, the character, who can come across as enigmatic or aloof, but it's her faith and her clarity, as Rob puts it (and we're paraphrasing), that make her the best barometer ever for the most difficult of times and the craziest of people. The key, though, is Rob writing that he knows these folks and he's partied with them. It would have been a lot easier for Mike if he'd had an agenda when he drew these people. Yeah, we might have recognized the ideas, but maybe we wouldn't have recognized these people. Poor Rob! He's one of THEM! Thanks, TCJ, and Rob, especially. This was a really good one.
Well, folks, Edie Fake has arrived! This newest LA native gets a very warm welcome indeed from Joshua Michael Demaree at the LA Review of Books. It's both a full-blown interview, a complete history and in depth review of Memory Palaces, Edie's latest and our first ever art book. If you're worried about Edie going Hollywod, go ahead and worry since Demaree has christened him a "flourishing celebrity." At least, he's a flourishing celebrity in the queer art world. There's some stuff in here that rarely gets discussed, including Edie's background as a video artist and the influence of that medium on his comics work. We even get a mention in the story of how we met Edie, which almost didn't happen. Plus, and this was news to us as well, Edie's return to Chicago (after "going feral") coincided with the death of Michael Jackson. But was it a coincidence? Thank you, Joshua, for all your super thoughtful work here (and for making another dream come true and writing up a Secret Acres book for the LA Review of Books). Go and read this very funny and very serious career retrospective right now!
We do realize it's all Corinne Mucha and all Get Over It! all over all the time these days, but we just had to share our joy over this latest rave from Joseph Erbentraut at the Huffington Post! Yes, that Huffington Post. Complete with an actual excerpt, Joseph gives a brief rundown of the rules regarding breakup recovery times, citing scientific studies and How I Met Your Mother, no less. We're not entirely sold on the sciences here, mostly because the science of love seems to make everyone feel bad for being insane. Let's face it, love is not just blind, but very stupid. As for HIMYM, we're playing catch up with that one, but their rule seems to fit pretty well. However, if you want the real, straight up survival guide to heartbreak, look no further than our Ms. Mucha. SHE KNOWS. Thanks, Joseph and HuffPo! Have a look at the link below.
Hooo boy... WELL. Corinne Mucha is not shy with the Philadelphia Inquirer, it seems. Tirdad Derakhshani, talking about Corinne's new book, Get Over It!, asks the ever important question when it comes to autobiocomics: did that REALLY happen? And, to quote Corinne, "I didn't add or make up anything." Really, one would hope that in the making of comics, the finest medium there is, about one's actual life, that the cartoonist behind them would be brutally honest. Get Over It! is surely that. Let's face it, heartbreak is ugly as love is beautiful. And who the hell would be able to identify with a clean breakup? Does that even happen? Our favorite part of this Inquirer inquiry is the origin story that sneaks its way in. No, Corinne wasn't super into Wolverine as a kid. She wanted to be a REAL artist. The comics all started by accident, it seems, in Rome. Like Rome, Italy. Also, speaking of the other half of the (not in) love story of Get Over It! you can get That Guy's reaction to the book here, too. In other words, you pretty much have to read this.
ICYMI, as the kids say, here at last (after some more technical difficulties - and, yes, between this and our Friday night love-in at Bergen Street Comics being rained out, we are having technical difficulties galore) is Tom Spurgeon, aka the Comics Reporter, doing his Sunday Interview thing with Mike Dawson. As we can attest, these interviews are a lot of work, and require a ton of thought, so count yourself lucky that Mike is a thoughtful guy. There's plenty of shoptalk here, lots of stuff on process and the like. Angie Bongiolatti, Mike's latest graphic novel from us, was a long time in coming. There are plenty of ideas in this book, though, in a sense, it's about one thing and a certain time and place and age in post-9/11 New York. There was a lot of experimentation involved in finding a style that would both corral and express the ideas and move the narrative along, too. After all this, there was a lightning quick turnaround, with Mike finishing the book in January and us getting books printed by April. Angie Bongiolatti is catching up with its audience about now. Meanwhile, Mike has been all over the place, on tumblr, on Slate, on TCJ Talkies, and Tom has Mike talking about the future quite a bit, too. If you like Big Questions for cartoonists, this is a good place to be. As for Angie Bongiolatti, well, ask Mike says, " I think people just sort of have to read it." So go read it!